... and into the rest of the story, or at least more of it.
I've been on the masthead of Montana Quarterly for the better part of a decade now. But back in 2010, when I had one novel to my name and not much else in the way of published literary work, I was just a guy pitching an essay to Megan Regnerus, then the magazine's editor and now our beloved editor emeritus.
I called it The Small Things, and it was written after my father, Ron, and my Uncle Bob Witte (RIP) ventured out to the Fairfield Bench, near Great Falls, and found the dairy farm that shaped Dad's young life in some pretty horrible ways. I won't say much else here; you can read the piece for yourself, and I hope you will, because it provides a good anchoring for some discoveries I recently made while digging through archives. Long story short: I've always wondered about some of the details my father told me that day on the bench, not because I thought him dishonest about the general gist of things, but because he was 71 years old (he's 82 now), and that's a lot of time for the finer points to get lost.
But he hadn't lost them. Not really.
Let's dig in ...
From the piece: "I’d heard, or maybe I’d assumed, that my paternal grandfather, Fred, had walked out on the family when Dad was two or three years old. But here was Bob, telling me that it had been a proper divorce and that Dad’s mother had rejected the children."
The archives say ... Pretty much dead-on, if Fred's account of it is to be believed. He sought the divorce. He also tried to get the children (Dad, his older brother Duaine, his older sister Dolores).
From the piece: "When Fred showed up to get Dad a week later, Dick locked the little boy in the basement and met Fred at the road. He carried a shotgun, all the better to send Fred on his way. Three children could accomplish a hell of a lot more work than two, and Dick aimed to keep Dad close, be it with a gun or a fist or a horse whip."
The archives say ... Nothing I found speaks directly to this episode. Still, I'm not about to contradict Dad; he remembers it, he's shaken by it all these years later, and trauma has a way of imprinting itself immutably. What I know for sure is that Fred and Della and the man who became her new husband, Richard Mader, had confrontations. Here's the evidence:
I've saved the best one for last. The remembrance of my father that was shrouded in the most mystery was where he went and what he did when he finally ran away from Richard Mader's dairy farm for good. Dad's memory is that he went to work for a farming family near Three Forks. I had no reason to disbelieve him, of course, but Three Forks is a fair distance from Fairfield. I wondered how he got there and whether he might have actually ended up somewhere else, somewhere closer, and just lost the place to the intervening years.
From the piece: "After a few weeks, he ended up on a farm in Three Forks, doing odd jobs and being attended to by a kind family that kept him shielded from Dick, who was still looking for him. After a year or two, Dad told the farmer that he would like to see his father again, and the man agreed to find Fred and take Dad to him. A few weeks later, word came: Fred was in Butte.
"More than fifty years later, Dad’s voice broke and his eyes floated in tears as he revealed what happened next. They were the only emotions he betrayed in telling the story.
“'The farmer told me, "I’ll drive you to Butte and once you’re there, I’ll put you in a cab and follow you to your father’s house. Once I see that he’s come out to get you, I’m gone." '
"In a singular act, that Three Forks farmer, whose name has been lost to the intervening years, did for Dad what no one else could be troubled to do: He acted in the best interest of the child."
The archives say ... Well, just have a look from a newspaper's "persons sought" column:
Getting at the details of my father's life has been a driving pursuit for many of my own days. Part of it is that I'm his only child, and if there's a story to be salvaged, it's up to me to mine it and tell it. And part of it is that I'm so heartbroken for the boy he once was, a clearly smart youngster who was denied so many of the blessings of his age, who was brutalized and stunted and who has persevered despite it all. I know how violence cycles from generation to generation, and I also know that the man I call Dad has refused to spin it on into me. It's the great achievement of his life, and he probably doesn't even know it. I want to drag the shit that happened to him into the light, the best disinfectant for what was visited upon him.
He's not a hero. He is, in fact, a deeply flawed man (as is his son, as was his own father—there's more to that story, for another time).
But he's my dad, and I love him.
Addendum: There's an earlier piece, originally published by the San Jose Mercury News in 2004, that focuses more on finding out what became of Fred after Dad reunited with him in the mid-1950s. That was the last time father and son saw each other. Dad went into the Navy, and Fred went ... well, that's the interesting thing. You can read about that here.
Jonathan Evison, one of the writers I most admire artistically and, even more important, as a human being, once said that each day he tries to do something for a fellow writer before he does anything to advance his own career. As a recipient of that kindness, I can say it's not idle talk. It's the way Johnny faces the world.
It's an example that can be both learned from and emulated. In recent weeks, I've been teaching myself to make little promotional videos for books. (Look up "autodidact" in the dictionary, and there's my big, dumb face. Or should be, anyway.) For practice, and to put Johnny's ideals to practical use, I've been working up some videos for my writer friends, especially those who have recently released books. (I also did one for my wife, who deserves everything I can possibly give her.)
Because here's the truth: We all need help getting out the word about the good work we've done. This is as true for the writer who gets the choicest pre-publication reviews and bookshelf space as it is for the writer whose book makes barely a ripple. (I've been both writers. I am both writers. I'm speaking truth here.) It's a lonely business, one that can be stingy with grace and validation amid seeming torrents of rejection and self-doubt.
Please consider these books. I highly recommend each of them. If you love a book, consider buying it as a gift for someone else to love. Or tell someone. Leave a review. Reach out and tell the author. The words will be deeply appreciated.
And thanks for reading!
The Center of Everything | Jamie Harrison
Best Laid Plans | Gwen Florio
Regarding Willingness | Tom Harpole
Cloudmaker | Malcolm Brooks
The Second First Time | Elisa Lorello
American Zion | Betsy Gaines Quammen
It was after Ned Beatty died—which came not long after Gavin McLeod died, which came on the heels of Charles Grodin's death—that my friend (and best man) Jim Thomsen said, via text, "We're losing the generation we looked up to."
Indeed, we are, as early Gen Xers, and there's a reason for that: We've made a right turn at middle age and are headed not away from Albuquerque but toward our own burning out. If people twenty and thirty and forty years our elder are finding the exit of this mortal coil, it's only proof that time is immutable and undefeated. We will follow them into stardust, and that eventuality is already close enough to whisper to us.
My reply to Jim that day: "Dying is the one thing we were born to do."
I've been thinking of that a lot—not necessarily Jim's observation, nor mine, but the relentlessness of time. It's not sentimental. It's not personal. It's not tender or caring. It just is. Every fraction of a second of every second of every minute of every hour of every day of every week of every month of every year...
I've also been thinking of it a lot since finding out that my Aunt Barbara died last week. If there's someone who has been in my life from cradle to now, my parents aside, it is her. An early friend of my mother and father. The sister of my eventual stepfather. The mother of cousins, once and twice and thrice removed.
I've been driving for thirty-five years, and many of those years have seen me drive into or through Casper, Wyoming, the first home I ever had, just a few houses down from where Barbara and her family lived. And almost every time, I've made a stop to see Barbara, and before that Sammy, her late husband. It's a ritual that seems inseparable from what I know to be the way of my life: If I'm in Casper, I swing by and say hello.
There will be no more of it, at least no more that terminates at her front door. Time is not sentimental, but I remain so. I might still turn right off Poison Spider Road. I might still cast a glance left at the first house I ever knew. I might still wonder what my long-ago friend Richard is doing these days. I might wave at Barbara's house as I go by. But go by I will, because there's no longer any reason to stop and say hello.
It's hard to part with that. Hard for me, anyway.
After the second reading from And It Will Be a Beautiful Life last weekend at This House of Books, I was talking about the prominent roles of memory and reflection in writing, and I relayed the story of reconciliation with a former college roommate whom I wronged more than 30 years ago. The video above begins with the salient part.
The brief retelling in the video covers the major points. I ruined a good friendship with selfishness, and I left him holding the bag on what was supposed to be a shared obligation (rent). We never talked again after I bailed, and that sucks—the bailing and the not talking. It was not a proud moment for me, and occasionally, the memory of it has drifted through my head and shamed me anew. And I'll just say this: The occasional shame was a reasonable toll for the way I inflicted my immaturity on someone else.
A few years ago, the woman who ran the student publications department at UT-Arlington, Dorothy Estes, died, and tributes poured in from all over, including one from my former friend. Long after I should have done so, I reached out:
Seeing your lovely remembrance of Dorothy Estes brought forth a lot of memories, many good, some bad, and the bad ones all on me. I've thought about you from time to time these past 25-plus years. It may well be ancient history, but it's something I've left undone, so if you'll indulge me I'd like to close it up now: I'm sorry for the way I left you holding the bag on that apartment all those years ago, and for the way that effectively ended what had been a good friendship. It's been a source of shame and regret for me for many years, as well as a point of departure. In the aftermath of that, I started growing up, which was long overdue.
I was telling my wife about those years this morning. The Shorthorn, and UTA, don't occupy the same place in my history as they do for so many who've come together to remember Dorothy. Those were difficult years for me—difficult in my own skin, in my studies, in owning up to the responsibilities of being a man in the world. I found my way later on, but I've certainly harbored regrets for the prior mistakes and idiocies. Again, I am sorry.
I hope this finds you well. I loved your remembrance. It evoked in me something I remember often feeling when I read your stuff all those years ago: Damn. I wish I'd written that.
What he wrote in response belongs to him, but I can assure you it was kind and considerate and reflective of the young man I knew him to be and the older man he'd obviously grown into. We closed the book on something between us, and I think we both felt good about that.
One of the things I've learned about myself is that I crave closure, and that yearning can be good and bad. On one hand, the compulsion allows me to reconsider past encounters rather than just calcifying into positions that might not be healthy. On the other hand, sometimes situations are meant to be exited wordlessly and expediently, a true change of trajectory. Wise words from a former counselor of mine, as I walked through the rubble of a divorce: "In some things, closure is overrated."
In this case, though, I think it's just what the moment required. For both of us.
Here, though, is where the story takes a turn …
I went home that night after the reading and reflected again on the original unkind act and on the subsequent, many-years-later reconciliation, and the next morning I sent my erstwhile friend a copy of the video above, pointing him toward the bit about our history. And then, for whatever reason, I ran a Google search on him.
Roy R. Reynolds, my long-ago friend, died earlier this month. Fifty-three years old. Young. Far too young.
I feel privileged to have known him, once. Regret for not mending the breach before we did. Gratitude that the mending happened at all, that I reached out, and especially that Roy met that outreach with grace. He didn't have to do that, but he was the kind of man who wouldn't have done anything else.
The fears and hesitations of the pandemic have been myriad—what if I get sick or die or can't work or, or, or…—and yet as I didn't get sick or die and kept right on working, the things I missed most, holed up in the house, were human and artistic. How I longed to go to a badass poetry reading. Or a play. Or a concert. Oh, how I took those things for granted before COVID-19, and oh how I never will again.
On June 19, about 10 days into the life of And It Will Be a Beautiful Life, we had a couple of events at This House of Books in Billings to mark its birth. What a day it was—the gift of fellowship, of seeing people I haven't seen in years*, of hugging necks and reading from this new work. I missed it so much. I think it's been at least two years since I've done it. And now, I can't wait to do it again.
*--We moved back to Montana from Maine in April 2020. Right in the middle of the pandemic. There are people I love whom I haven't seen in these past 14 months, and some of them, at last, I saw at This House of Books. I tell you, I would have cried if I hadn't been so busy being grateful.
It's no secret at all that the protagonist in my new novel, And It Will Be a Beautiful Life, a pipeline inspector named Max Wendt, was conjured from my own background as an occasional pipeliner. (Where it all flows from there, of course, is more fiction than fact, more imagination than recitation. But stories gotta start somewhere, and as I've written before, mine start in the memory banks.)
Early on in the book, Max heads off to a job in Buffalo, N.Y., and an assignment he doesn't relish: He's asked to train a new worker on the crew, a 30-something woman about his daughter's age, and what happens from there has a great impact on Max and on her. (If you're thinking here that surely I went for the easiest of tropes, the kind of trope middle-age male writers have been committing to the page for as long as there have been pages, please consider it might have gone another way. Because it did.)
But the true love letter to Buffalo, the place and the idea, comes from a third character, Charles Foster Danforth, an odd man Max meets in his travels. The two men aren't well acquainted at that juncture, but they're working their way around each other, and Charles, via email, urges Max to show more appreciation for the places he gets to go:
Do you realize where you are? In architectural terms alone, you’re in a place that changed the game, particularly with the buildings that went up between the Civil War and what my grandfather, Preston Foster Danforth, the old scamp, called the Great War, even if that moniker was eventually usurped by a greater war that came along. (This, Max, is the folly of our human condition. We are terrific at war. We are less terrific at things that would be better for the collective us. But I digress.)
I wish I had the time to go back there. It would be charming to see you, of course, but I think I would leave you to the pig and go walk those radiating boulevards downtown (I bet you never thought of Buffalo and Paris as comparable, but there you go). I’d see the buildings of Wright, of Richardson, of Sullivan, of Mori, and my day would be spent before I even got to the art galleries or the wine—yes, my friend, the wine; you take the chicken wing, I’ll take the pinot.
I loved writing that bit. Because I love Buffalo.
I'm going back to western New York in the coming week. It's been a while, what with the pandemic and moving back to Montana from Maine amid it. The food experience there is basically inseparable from the rest of it, so much so that one of my dearest friends, a guy who grew up in Orchard Park, N.Y., calls it "a great fatboy town." I've certainly added some pounds there over the years.
But it's more than wings and hot dogs (Ted's—oh, god, Ted's) and fried bologna sandwiches and some of the best pizza you'll ever eat. Buffalo was a great notion, a triumphant city in the 19th century, the location of a shocking assassination, a place that hangs in there, that keeps punching. In my own narrow experience, few cities can match it for general friendliness—it's not uncommon for me to find myself in neighborly conversation with locals when I'm out and about; indeed, the uncommon thing is when that doesn't happen. Buffalonians persist. They push on toward better days.
It's the best we can do sometimes.
So, about the book ...
I'm doing two readings at This House of Books in Billings this Saturday, June 19. They're at 1:30 and 6 p.m., and they're the first live events at the bookstore since the pandemic began.
Billings is my home, and This House of Books is my home bookstore, and I'm thrilled to help usher live readings back into the community. We've missed them. I've missed them. It's good to be making a comeback, and I look forward to all the coming readings and plays and concerts, things I took for granted before last spring and never will again.
If you're close enough to come, I'd love to see you. The bookstore is limiting attendance at each reading, requiring masks and enforcing distancing. It's only sensible. Call if you'd like to join us.
* — one of an endless number of permutations
9:50 a.m.: Head out of Billings due west with fair Elisa. Destination: Livingston, 117 miles down Interstate 90. There is much I could say about Livingston, although it would be nothing that hasn't been said before by better observers with keener insights. I made a friend laugh earlier today by calling it my Emergency Backup Montana Hometown. That's how I feel about it and the people I encounter there. (It was good to see you, Marc Beaudin. It's always good to see you.)
11:45 a.m.: Meet Kris King for lunch at Neptune's. In my early days of designing Montana Quarterly, Kris—one of the magazine's steady contributors (she does the author interview each issue)—gave me shelter on my overnights to Livingston for final magazine production. She's a whip-smart, offbeat, fun, funny, wonderful friend who has been extraordinarily kind to us, and it was the first time we'd seen her in more than three years. (We moved to Maine. We moved back. There was/is a pandemic.) If you've read my short story Remember Me in Istanbul, you might remember the ex-girlfriend's house that a guy and his wife let themselves into on a winter night. I modeled that house, and the spirit within it, on Kris' place. Now you know ...
Around 12:40 p.m.: Head a few blocks over and get a sneak preview of the forthcoming Edd Enders Retrospective. (June 18-19 in Livingston, and you should totally go if you're within driving distance.) It's one magical thing to be able to stare deeply into a single Enders work, which we're fortunately able to do every morning, as one adorns our bedroom wall. (I mentioned Kris King and her kindnesses; the painting below is one, a wedding gift that we treasure.) It's quite another to see canvas upon canvas, crossing all eras of his wonderful work. What a thrill for us.
Around 1:15 p.m.: Head out for Bozeman, another 26 miles west. We ended up at the Emerson Center, a place I'd often heard about but never visited. There, I dropped off a copy of And It Will Be a Beautiful Life to Rachel Hergett, one of Montana's premier writers about the arts. It was our first face-to-face meeting, another unfortunate byproduct of the pandemic. Can't wait to renew acquaintances again and again. I'm telling you, there was a buoyancy to the entire day in this regard. We're opening up, and hope is flooding in where darkness once settled. I'm allowing myself to dream of literary readings and concerts and sporting events and dinners with friends.
Around 2:45 p.m.: Two more stops, both essential. First, Country Bookshelf, one of the finest bookstores you'll find anywhere. What a wonderful feeling to see the new book paired up in the window with Sweeney on the Rocks by Allen Morris Jones. Allen and I are doing a virtual event hosted by Country Bookshelf on June 30. We'd love to see you.
And then to also see it on the shelves ...
I also scored a Gwen Florio novel. Signed. Who's the lucky kid?
Finally, no trip to Bozeman is complete without a stop at The Baxter and the little chocolate shop in the lobby, La Châtelaine. Elisa had the Hawaiian red salt caramel truffle. I had the French martini truffle (below). We split a Meyer lemon truffle. No regrets!
After that? Eh, there's not much to report. Just a 143-mile drive through some of the most beautiful countryside there is, pulled along by the mighty, north-flowing Yellowstone River, a ribbon to guide us home. In the best iteration of myself, I try to be grateful for the life I have and the way I'm able to live it, but circumstance and the intrusion of transient difficulties sometimes get in the way. Perfectly natural, of course, but also something that can swallow your perspective if you let it.
Today was all gratitude all the time. For this life, for this place, for these friends, for these adventures, for the next bend in the highway ...
My ninth novel, And It Will Be a Beautiful Life, flew the coop earlier this week, and I couldn't be happier. It's a beautifully produced original hardcover (my first), it's 352 pages of my beating heart, and I'm proud of the work I did on it.
Though this is my ninth novel (and 10th book overall), in many ways it feels like my first. I broke with my longtime publisher a few years ago—nothing scandalous or rooted in hard feelings, just a parting of ways that happens in publishing and in life—and last year joined up with The Story Plant, the kind of small, attentive, scrappy, excellent publisher that's a wonderful fit for me and my work. I'm so pleased with the association. We are a good match.
So this book, in many ways, is the beginning of Act 2 for me. Whatever it's going to be. I'm going to give it everything I have. I feel as though I have a lot of work yet to lay into.
One thing I plan to do—to whatever extent time, responsibilities, and the pandemic residue allow—is travel with this book, in the broadest possible definition of the word travel:
Eventually, of course, I have to find my way back to the desk. One of the truths of writing and publishing is that a new book out in the world is an old book in terms of the effort expended to get it there. I loved everything about the experience of writing this book and seeing it evolve into a finished artifact. And yet, a new journey ever beckons.
I'll be on that road soon ...
Originally published April 3, 2021
When I started writing these dispatches, I envisioned them as something of an occasional travelogue, seeing as how I’m an occasional traveler and how those occasional travels generally take me to places with not much resemblance to most conventional definitions of “exotic.”
But my creative kryptonite—or maybe it’s my superpower—is that what I envision and what I end up doing are often wildly different things. These little notes that I’ve faithfully flung into the email in-boxes of whoever has asked for them have ranged wildly. Travel has been an incidental topic, in part because travel has been an incidental thing during the pandemic.
So here’s the thing: I’m vaccinated now. My parents are vaccinated now. And because it’s been nearly two years since I’ve seen them, it’s time to mend that long rupture. I’ve written this before, and with nearly 800 miles standing between me and my folks tomorrow, I believe it even more fervently now: If you’ve been fortunate enough to survive this pandemic, if you have a roof over your head and food on the table, you’ve still been robbed of something: You’ve lost time.
In the long bend of their lives, my parents have much less of it in front of them than they do behind. In the bend of my life, a generation shorter, the same is true.
As Davy Crockett said, you all may go to hell; I’m going to Texas. My pup is coming with me. My wife, soon to stanch the bleeding of time with her own mother in New York, is keeping the light lit at home for my return.
Per Mapquest, it’s 539 miles from my driveway in Billings, Montana, to my aunt and uncle’s driveway in Erie, Colorado. If you include, conservatively, two miles for meanders in Sheridan, Wyoming, and Douglas, Wyoming, as I sought out meals, it comes to 541.
I started driving at 7:34 a.m. (Four minutes earlier, and I’d have been in perfect alignment with the first song already playing in my iTunes queue. The second song, randomly generated, suggested this could all take a while.) I pulled up to the house in Erie at 4:12 p.m. That’s eight hours and 38 minutes of travel time. That’s 62.664 miles per hour, on average.
No wonder it felt like Wyoming would never end.
I like to kid Wyoming, but that’s only because it was my first home and because it so perfectly fits a line that I pilfered from someone else.
The great Peyton Pinkerton, guitarist for the Pernice Brothers, called Connecticut “the state in my way.” Anyone who’s traveled between New York and Massachusetts gets it.
That’s how I feel about Wyoming. If you’re traveling north to south, it starts out promisingly enough, with the Bighorn Mountains and Sheridan—a beautiful, fun town by any measure—but the thrill is largely gone by the time you get to Buffalo and interstates 90 and 25 (you’ll be taking the latter) split.
The thing is, the whole route is seeded with memory for me: my first home was in Mills, a bedroom community of Casper, and I have sepia-toned recollections in all of those towns, little snippets that I’ve tucked away that don’t always connect with larger memories. Buffalo heads on hotel lobby walls. Motels where I’d live with my dad when he was working. One of my early multistate solo driving trips as a 19-year-old. “Western identity” is the kind of thing you could fill volumes trying to pin down—and many have—but in large part, to whatever degree I have one, it’s rooted in that ribbon of highway that connects my first home with my chosen home. Snow fences, junkyards, tumbledown rest stops, gas stations where I’ve filled up dozens of times, fields where my father worked, fields where I’ve worked.
It’s a part of me. I’m a part of it. But, yes, good lord, when your horizons lie beyond Wyoming, you start to wonder if you’re ever going to punch through to the other side.
And then you do.
Fretless is a good traveler in that he’s quiet and not restless. But he’s also obstinate. He wouldn’t drink for me, not a drop, but finally, in Cheyenne, I caught him taking a sip from his bowl in the cab while I was gassing up.
As long as it’s his idea and not mine …
Also in Cheyenne, while I was walking him, an unleashed, much bigger dog tore out after him. I had time just to get him into my arms and begin to wonder what I’d do if the unleashed dog turned out to be vicious.
He wasn’t. The owner was apologetic. Which counts for something, but not a lot.
It’s been a tough day for my intrepid pup. He watched me pack out most of his belongings and didn’t know what to make of that. He didn’t sleep a wink on the drive, which is unusual. I think he still suspects I’ll leave him. Ain’t gonna happen, bubba.
We’re in a strange house (to him) with strange people (to him). Long day tomorrow, and I can fill him in about how Aunt Linda and Uncle John are part of this whole story, part of this whole identity. They were the ones who lived in Montana for a long, long time, and my falling in love with it was born of our many trips to see them when I was a kid. They raised four kids there, built a life there, and have been gone from it for nearly 30 years. Hard to believe. The family flag that’s still in the Montana soil was put there by me, the kid who came to it by way of Texas and then Alaska and then Arkansas and then Kentucky and then Ohio and then Alaska again and then California and then Texas and then Washington and then California again and then Montana and then Maine and then Montana again.
Time, speed, distance, baby. We’re all getting there. Or somewhere.
Originally published March 25, 2021
The most attention-getting thing I’ve read in the past week is this piece by Anne Helen Petersen, titled “What Demoralization Does to Teachers.”
It took hold of me not just because I’m friends with a lot of teachers (I am) or because I see the factors outlined in the article playing out among those friends (I do). What stopped me cold was the distinction between burnout and what’s really happening to teachers:
From the piece:
What educators are feeling right now — what they’ve felt over the last year — is not just frustration and fear inspired by the pandemic. It’s not just burnout. It’s way beyond that. It’s chronic burnout and deep demoralization as their labor is increasingly under-funded, under-valued, and under-resourced.
Wait, there’s more. In an article cited by Petersen, which you can read here, Doris A. Santoro writes:
One reason people are not attracted to teaching, and why some are leaving teaching, is that they do not see it as a place where they can enact their values.
I daresay demoralization is a destructive force whatever your line of work. What makes it so alarming in the teaching realm, of course, is that education is the bedrock for everything that follows. If we’re torching teachers—not just working them hard but also causing that work to have no meaning to them—who pays on the back end? The answer is obvious. If you think we have a problem with chronic ignorance now (and, yeah, I think we do), what happens when we’re chasing teachers out of the profession and, consequently, are unable to attract the sort of folks who have historically flocked to it?
I don’t have to look far to see the worrying signs.
I have a dear friend who is leaving teaching at the end of this school year. She’s not ready for retirement; indeed, she’ll have to continue working to pay the bills, retain health insurance, put gas in the car, etc. But she’s done teaching, after a long, distinguished career of doing it, after a long time of feeling called to it. But she can no longer take the misplaced priorities, the undercutting, the under-funding, the many obstacles that are lined up to stand between her and what she knows will get results in the classroom.
She’s done, and it’s her community’s loss. Our community’s loss. And I suppose that would mean so much more if our community even understood what’s happening to her and, by extension, to all of us.
Several years ago, I taught a semester-long honors fiction-writing course at Montana State University Billings. It was harder than I ever imagined it would be, and I have a pretty vivid imagination for such things. But I threw myself into it, and indemnified as I was against the more tedious aspects of being an instructor there—I was a visiting writer, so I didn’t have committee assignments or faculty meetings or anything else of that nature—I tried my best to make connections with the self-starting students who’d chosen the course, to impart what I’ve learned but mostly to help them find ways into expressing their art.
At the end of the semester, I gave a public lecture, and I chose public education as my topic, focused through the lens of my uneven relationship with it. As part of that, I asked my teacher friends to tell me what they wished their communities knew about their jobs.
Some of those responses:
How deeply I loved each and every student that came into my classroom. Even the ostensibly unlovable ones, I worked until I could love them, until I could see their unique and spectacular gifts. I want people to know the system is designed to use that love against you, pencil after pencil, lost planning period after lost planning period. I burned out so fast, and I wish there had been a system interested in retaining me.
I think people need to know how functionally illiterate most college students are … and how unsurprising it is, given how teachers at lower levels lack any sort of empowerment or incentive or respect.
All I want to do is teach in the way that I know is developmentally appropriate for kids. That is all my colleagues want, too.
This was pre-pandemic, far enough back to be a memory and close enough to touch us. We’re in trouble, folks. We have been for a long time. The pandemic accelerated matters, but the trajectory has been disastrous for a while.
Empathy for the demoralized is not hard to come by. I spent twenty-five years as a newspaper journalist, the very definition of “been there, done that.” At the end, amid quarterly staff purges, scaled-back coverage, “doing more with less” and other assorted bullshit, I walked away and into an uncertain future working life. I left not because my pay was low (it was, relative to other jobs I had the skill to do) or because it was hard work (it was ever thus). I left because the work that had been so important to me for so long didn’t seem to matter anymore, because I’d been implicitly told by the powers that be that I didn’t matter. I was a cost center, one that was aggressively being pared back. (And now, the vultures that have control of much of that line of work argue that people who do what I did for all those years aren’t journalists at all. It’s as if the business model is degradation.)
And you know what? Maybe I didn’t matter at the end. If that’s so, I cut them before they could cut me. That’s a decidedly different outlook than the one I had when I entered the profession. Twenty-five years of steady erosion and declining standards beat me up pretty good. I have great affection and nothing but good wishes for those who keep answering the call at local newspapers. They are doing what I could not.
Setting my own experience aside, I think it’s fair to say that when the folks develop a feeling Santoro widely ascribes to teachers—“Demoralization occurs when teachers cannot reap the moral rewards that they previously were able to access in their work”—it’s not something that can be soothed with a little time away, some breathing exercises, and some cinched-up self-care. At some point, the demoralized give up and leave, and nobody who cares the way they once did can be compelled to step in, and then what?
I’ll say it again: We’re in trouble.
Craig Lancaster is an author, an editor, a publication designer, a layabout, a largely frustrated Dallas Mavericks fan, an eater of breakfast, a dreamer of dreams, a husband, a brother, a son, an uncle. And most of all, a man who values a T-shirt.