Hello, 2022 ... and all of you here to see it. It's been a trip, huh?
Just before Christmas, in a final furious week of drafting, I finished the first pass at a new novel, which I'm calling Dreaming Northward. It is, as I expected given the brisk pace of my finishing kick, both a fully satisfying arc and a manuscript that needs a lot (A LOT) of work. That's how these things go, at least for me. I write them to see I can get from here to there, then I spend a lot of time cogitating on what I've done, then I rewrite to more fully expose the story I think I'm trying to tell, then I revise, revise, revise to really hone whatever it is that I have. (Followed, of course, by even more editing if—knock wood—the thing gets published, followed then by a beautiful, finished book that I immediately wish I could have another crack at.)
Anyway, I hope to share it with you ... sometime. Probably 2023. We'll see. A lot left to do.
I mention this because my friend Jeff Deck reminded me of something on Facebook today. Here are Jeff's words, which are much more eloquent than mine:
I'm Random Penguin House author Jeff Deck, and I have an important message for you today:
Getting published by a major house will not make you rich.
It will not pay your mortgage. It will not clear up your skin. It will not get rid of those love handles.
It will not make you a bunch of friends, nor will it get you laid. It will not make your distant parent say they're proud of you.
It won't relieve you of the onus (and cost) of marketing your book yourself, either.
What it will do is get your book into physical bookstores. And potentially improve your chances of getting a second book traditionally published. But mostly it's the distribution thing.
Many people fix their eye — and their hopes, and their self-validation — on getting published by a major house. My wish for you is to recognize the value in your work no matter how it ends up being published, whether via the Big Five (Big Four?), a mid-size or small press, or self-publishing.
Recognize the value in it BEFORE it's published, too. The work you put into your story is real. The time you spent improving your own skills along the way should be recognized, and celebrated.
Goals are important for motivation. But you are "worthy" *right now*. And you will continue to be worthy every step of the way.
Writing is a long journey, even (especially) after publication. No matter which publishing route you choose. Belief in your own value — and a daily celebration of your own work and words — will sustain you along the way.
Every word is absolutely true, by the way. I often tell folks that they should celebrate having done the work as much as they celebrate anything that flows from that work. Sometimes, they think I'm bullshitting them. I'm not. The work is sustaining. The rest is ... the rest.
Received some lovely news yesterday. And It Will Be a Beautiful Life was the bestselling book for 2021 at my local independent bookstore, This House of Books. I'm grateful to the bookstore—where I'm a proud member-owner (it's a co-op)—for being such a wonderful supporter of not just my work but of the many, many fine regional writers who are doing such important work here. And I'm grateful to the folks, near and far, who bought a copy from THoB and kept the oxygen flowing to an independent bookstore. The cultural life in my town is much the richer for its presence.
If you'd like a signed copy of the book, THoB will be happy to fulfill that desire. Simply order online and mention in the comment field that you'd like it signed, and I'll hop into my trusty blue Toyota, drive downtown and sign it for you.
And, hey, if it's a paperback you want, I have good news:
The paperback version releases in May, and you can preorder through THoB (I'll be happy to sign those, too, once they come in), through your local independent bookseller (please!) or wherever you get books.
Dispatches from the staying-in-touch department ...
Will the pig run again?
I've written before about my occasional life in pipeline inspection — an association that inspired an entire novel — and had been looking forward to getting out there again in the spring, after the usual wintertime slowdown. Well, maybe, but also looking like probably not. The company for which I did work recently shuttered, and there's an industrywide slowdown, so I may be on the obsolescence end of progress (or regress).
I can't say I'm particularly heartbroken. Pipelines are a destructive, invasive way of delivering extractive sources of energy, and for the future of the planet, it's high time we develop alternatives that are well within our grasp but beyond our political will. On the other hand, there's a practical consideration: We already have the damn things, and we're using them. The job I did was essential to the safety end of matters. Let's hope that continues until we can pull those things out of the ground and return the land to those from whom it was stolen.
I will miss the travel to exotic (read: remote) locales and the chance to meet people in their natural habitat. But that can be enjoined in other ways, obviously.
I recently did something I should have done a long, long time ago: I joined the Authors Guild.
So here's where I cop to self-interest: I began to consider the possibility earlier this year when, quite apart from any involvement from me, my former agency descended into founder-vs.-founder contretemps and my meager royalties from long-ago books started showing up late or not at all. My former agent, also caught in the crossfire as her old shop melted down, was a champion and an ardent defender of my rights, it should be pointed out, and she got my situation squared away, for which I'm eternally grateful. But it occurred to me—again, when my self-interest was compromised, an entirely human condition that I'm trying to rise above—that in this whole solitary business, you have to grab a little solidarity where you can get it and stand strong with those who do what you do.
I'm also reminded of something wise I once heard said by A.W. Gray, a well-regarded crime novelist but better known to me as the father of my boyhood best friend: "The people who need unions the most are those who don't have them."
I shouldn't be sitting here typing these words.
Were plans rock-solid, immutable things, I would be in my car right now, its nose pointed north, my pup Fretless in his bed in the backseat, on my way to a three-day adventure of meeting readers and introducing my new book to new friends.
Plans, alas, are not rock-solid and immutable. They are, as Death Cab for Cutie noted*, "a tiny prayer to Father Time." I'll not be in Havre tonight and Great Falls tomorrow and Helena on Friday, making visits to these independent bookstores that I love. In two cases, it couldn't be helped. In one, it could be, but we—the collective we; remember that?—seem unwilling to do what's necessary, a problem that's far, far bigger than my picayune book event.
Fretless took ill last week, leading to a frustrating series of escalating vet visits (and costs—oof). The poor little guy gave up first on food and then on water, and when his underlying bloodwork numbers and vital signs were otherwise pretty unremarkable, it all became this weird sort of Occam's Razor guessing game. At one point, the thinking was that he might have atypical Addison's disease (he doesn't, thankfully). Twice, the veterinarians pumped a liter of water into him. He has a pharmacy of meds lined up on the kitchen counter.
Finally, we found the culprit: pancreatitis, which is scary but treatable. He'll be fine. He's already well on his way to that, a welcome sight, but by the time we got our arms around the thing, I'd already canceled the gigs in Havre (Havre Book Exchange) and Great Falls (Cassiopeia Books). I hope we can reschedule, either later this fall with the hardcover or next spring when the paperback emerges. It's been years since I've been on the road with a book, and I was jonesing for this trip.
Plans, man. They're tenuous things.
By the time I pulled the plug in Havre and Great Falls, the Helena trip (Montana Book Co.) was already off the board, a casualty of the spike in Delta variant cases. It's a completely understandable decision by the store. Believe me, no one wants live events more than bookstores do. As adaptable as they have all been to videoconferencing and trying to maintain community—the entire foundation upon which they are built—amid a pandemic, they know that there's nothing quite like an intimate gathering of people who love books.
But nothing is more important than safety.
Please, get vaccinated. Wear your mask. Do it for others and for yourself. It's been far too long since we saw each other.
* — What Sarah Said
After the second reading from And It Will Be a Beautiful Life last weekend at This House of Books, I was talking about the prominent roles of memory and reflection in writing, and I relayed the story of reconciliation with a former college roommate whom I wronged more than 30 years ago. The video above begins with the salient part.
The brief retelling in the video covers the major points. I ruined a good friendship with selfishness, and I left him holding the bag on what was supposed to be a shared obligation (rent). We never talked again after I bailed, and that sucks—the bailing and the not talking. It was not a proud moment for me, and occasionally, the memory of it has drifted through my head and shamed me anew. And I'll just say this: The occasional shame was a reasonable toll for the way I inflicted my immaturity on someone else.
A few years ago, the woman who ran the student publications department at UT-Arlington, Dorothy Estes, died, and tributes poured in from all over, including one from my former friend. Long after I should have done so, I reached out:
Seeing your lovely remembrance of Dorothy Estes brought forth a lot of memories, many good, some bad, and the bad ones all on me. I've thought about you from time to time these past 25-plus years. It may well be ancient history, but it's something I've left undone, so if you'll indulge me I'd like to close it up now: I'm sorry for the way I left you holding the bag on that apartment all those years ago, and for the way that effectively ended what had been a good friendship. It's been a source of shame and regret for me for many years, as well as a point of departure. In the aftermath of that, I started growing up, which was long overdue.
I was telling my wife about those years this morning. The Shorthorn, and UTA, don't occupy the same place in my history as they do for so many who've come together to remember Dorothy. Those were difficult years for me—difficult in my own skin, in my studies, in owning up to the responsibilities of being a man in the world. I found my way later on, but I've certainly harbored regrets for the prior mistakes and idiocies. Again, I am sorry.
I hope this finds you well. I loved your remembrance. It evoked in me something I remember often feeling when I read your stuff all those years ago: Damn. I wish I'd written that.
What he wrote in response belongs to him, but I can assure you it was kind and considerate and reflective of the young man I knew him to be and the older man he'd obviously grown into. We closed the book on something between us, and I think we both felt good about that.
One of the things I've learned about myself is that I crave closure, and that yearning can be good and bad. On one hand, the compulsion allows me to reconsider past encounters rather than just calcifying into positions that might not be healthy. On the other hand, sometimes situations are meant to be exited wordlessly and expediently, a true change of trajectory. Wise words from a former counselor of mine, as I walked through the rubble of a divorce: "In some things, closure is overrated."
In this case, though, I think it's just what the moment required. For both of us.
Here, though, is where the story takes a turn …
I went home that night after the reading and reflected again on the original unkind act and on the subsequent, many-years-later reconciliation, and the next morning I sent my erstwhile friend a copy of the video above, pointing him toward the bit about our history. And then, for whatever reason, I ran a Google search on him.
Roy R. Reynolds, my long-ago friend, died earlier this month. Fifty-three years old. Young. Far too young.
I feel privileged to have known him, once. Regret for not mending the breach before we did. Gratitude that the mending happened at all, that I reached out, and especially that Roy met that outreach with grace. He didn't have to do that, but he was the kind of man who wouldn't have done anything else.
The fears and hesitations of the pandemic have been myriad—what if I get sick or die or can't work or, or, or…—and yet as I didn't get sick or die and kept right on working, the things I missed most, holed up in the house, were human and artistic. How I longed to go to a badass poetry reading. Or a play. Or a concert. Oh, how I took those things for granted before COVID-19, and oh how I never will again.
On June 19, about 10 days into the life of And It Will Be a Beautiful Life, we had a couple of events at This House of Books in Billings to mark its birth. What a day it was—the gift of fellowship, of seeing people I haven't seen in years*, of hugging necks and reading from this new work. I missed it so much. I think it's been at least two years since I've done it. And now, I can't wait to do it again.
*--We moved back to Montana from Maine in April 2020. Right in the middle of the pandemic. There are people I love whom I haven't seen in these past 14 months, and some of them, at last, I saw at This House of Books. I tell you, I would have cried if I hadn't been so busy being grateful.
* — one of an endless number of permutations
9:50 a.m.: Head out of Billings due west with fair Elisa. Destination: Livingston, 117 miles down Interstate 90. There is much I could say about Livingston, although it would be nothing that hasn't been said before by better observers with keener insights. I made a friend laugh earlier today by calling it my Emergency Backup Montana Hometown. That's how I feel about it and the people I encounter there. (It was good to see you, Marc Beaudin. It's always good to see you.)
11:45 a.m.: Meet Kris King for lunch at Neptune's. In my early days of designing Montana Quarterly, Kris—one of the magazine's steady contributors (she does the author interview each issue)—gave me shelter on my overnights to Livingston for final magazine production. She's a whip-smart, offbeat, fun, funny, wonderful friend who has been extraordinarily kind to us, and it was the first time we'd seen her in more than three years. (We moved to Maine. We moved back. There was/is a pandemic.) If you've read my short story Remember Me in Istanbul, you might remember the ex-girlfriend's house that a guy and his wife let themselves into on a winter night. I modeled that house, and the spirit within it, on Kris' place. Now you know ...
Around 12:40 p.m.: Head a few blocks over and get a sneak preview of the forthcoming Edd Enders Retrospective. (June 18-19 in Livingston, and you should totally go if you're within driving distance.) It's one magical thing to be able to stare deeply into a single Enders work, which we're fortunately able to do every morning, as one adorns our bedroom wall. (I mentioned Kris King and her kindnesses; the painting below is one, a wedding gift that we treasure.) It's quite another to see canvas upon canvas, crossing all eras of his wonderful work. What a thrill for us.
Around 1:15 p.m.: Head out for Bozeman, another 26 miles west. We ended up at the Emerson Center, a place I'd often heard about but never visited. There, I dropped off a copy of And It Will Be a Beautiful Life to Rachel Hergett, one of Montana's premier writers about the arts. It was our first face-to-face meeting, another unfortunate byproduct of the pandemic. Can't wait to renew acquaintances again and again. I'm telling you, there was a buoyancy to the entire day in this regard. We're opening up, and hope is flooding in where darkness once settled. I'm allowing myself to dream of literary readings and concerts and sporting events and dinners with friends.
Around 2:45 p.m.: Two more stops, both essential. First, Country Bookshelf, one of the finest bookstores you'll find anywhere. What a wonderful feeling to see the new book paired up in the window with Sweeney on the Rocks by Allen Morris Jones. Allen and I are doing a virtual event hosted by Country Bookshelf on June 30. We'd love to see you.
And then to also see it on the shelves ...
I also scored a Gwen Florio novel. Signed. Who's the lucky kid?
Finally, no trip to Bozeman is complete without a stop at The Baxter and the little chocolate shop in the lobby, La Châtelaine. Elisa had the Hawaiian red salt caramel truffle. I had the French martini truffle (below). We split a Meyer lemon truffle. No regrets!
After that? Eh, there's not much to report. Just a 143-mile drive through some of the most beautiful countryside there is, pulled along by the mighty, north-flowing Yellowstone River, a ribbon to guide us home. In the best iteration of myself, I try to be grateful for the life I have and the way I'm able to live it, but circumstance and the intrusion of transient difficulties sometimes get in the way. Perfectly natural, of course, but also something that can swallow your perspective if you let it.
Today was all gratitude all the time. For this life, for this place, for these friends, for these adventures, for the next bend in the highway ...
Originally published January 21, 2021
A preamble, then we’ll amble: I’ve had what I consider to be four careers, and they’ve lain together haphazardly, overlapping in some ways and standing free in others. I was a newspaperman before I was a novelist, then I was both of those things together, then I ditched the newspaper life while I kept writing and started freelancing, then I became a particular kind of pipeline worker (1) while writing and freelancing, then I returned to journalism, this time on the digital side, while I kept writing and freelancing and occasionally pipelining.
I point all of this out not to build a résumé—there’s been quite enough of that, thank you—but instead to get at something I’ve realized about myself only in the past few years: I’m happier when I’m busy on several fronts. I’m less likely to be thrown by life’s intrusions, I feel more a part of the existence I’ve been granted, my energy level stays up, my mind remains limber.
It’s good to know yourself and your peculiarities. Beats the alternative, anyway.
When I left print journalism in 2013, it was entirely a function of opportunity and sloth. I was making more money writing fiction than I was building newspapers on the swing shift, and I had to work a lot more doggedly in the office for that lesser recompense. I granted myself a release and the gift of laziness.
But here’s the thing: After twenty-five years’ worth of having somewhere to be five nights a week, I quickly grew bored with all of my wonderful freedom. That’s when I became a pipeliner. And that’s where we’re going today: into the finer details of a job that gets done while its doer hides in plain sight.
As the pipeline flows, it’s a shade over 330 miles from a certain launch station in east-central Missouri to a certain receive valve in northeastern Oklahoma (2). That’s line flow. If you’re a pig tracker—and I was, and I am—you’re confined to surface roads, so the distance is considerably longer.
My first multi-day tracking job, back in 2015, covered this distance at the robust rate of three miles per hour. You can do the math, right? That’s 110 hours from the time the pig—the pipeline tool—is put into the system and sent downstream until it is received on the other end. Further math brings that 110 hours to four and a half days.
After a pig is launched, there must be twenty-four-hour coverage of its underground movements until it arrives at the receive valve. This is where the pig tracker comes in. This person drives to pre-determined places where the pipeline crosses the surface roads and, using an array of sensory tools, takes the measure of the pig’s progress—how fast it’s traveling, how long it took to cover the distance from the previous checkpoint to the current one, when it should arrive at the next crossing, and so on. On the crew I was on, we worked in two shifts, day (noon to midnight) and night (midnight to noon).
I worked nights that week. The experience struck me as an inversion of reality, casting me almost into a dreamlike state for the entirety of the week, rather like the one Alaska visitors sometimes experience when they travel there during the summer solstice (3). If not for an intricate series of alarms on my smartphone, I would have lost all sense of time (4). More than once, I lost touch with the day I was in, snoozing (or trying to) in the daylight hours and being active while the world around me slept. I explored frontiers of exhaustion I’ve not yet revisited, even as I’ve done dozens of jobs since.
I also tumbled irretrievably into love not just with the work—which isn’t terribly strenuous and is done easily enough if you can run a basic suite of software—but also with the intrinsic perks of it.
My friend and best man Jim Thomsen found his way into both fiction writing and freelancing at about the same time I did and, like me, made the transition after a long career in print journalism. We’ve had a lot to bond over during these years of our friendship, and of the many things he’s said that I agree with, this one stands out for its perspicacity: Writers have overdeveloped interior lives.
And let me tell you, pig tracking is an orgy of indulgence for someone who lives largely within the confines of his own thoughts.
First, there’s the silent solitude. It doesn’t begin and end. It begins, it endures, then it’s interrupted by a passage of the pig, then it’s engaged again, then it endures some more, then it’s interrupted again. And so on. On my first full night of this particular job, my partner and I had thirty passes, covering our twelve hours on shift, as we went leapfrogging down the line. That’s a lot of sitting around and waiting for the pig to pass by. That’s a whole lot of exploring your own notions about a whole lot of things.
Second, there’s the way the hours flow one into the next. “Night shift” is a bit of a misnomer, because by the time you join the line at midnight, night is already well along and cruising hard toward daybreak. When you’re alert—senses attenuated, your eyes adjusted to the darkness, your skin a prickle—at a time when most everything else slumbers, you notice a lot of things you might otherwise miss. How much noise you make just walking around in the dark (5). The rhythm of your own breathing. The spin of the earth, as the moon moves around you and then cedes to the sun. The migrations of nocturnal animals. The fullness of the sunrise, both the actual unveiling and those final minutes of darkness that trickle into it. How the hours beyond the dawn feel a little like they did after senior prom, when you’d stayed up for hours and emerged fuzzy-headed into the light. The only difference is that you’re wearing a yellow safety vest instead of a cummerbund.
I found a lot of latitude to go deep on the things that sat in my head. That time alone was a great gift, an opportunity to noodle out some story I was working on, to reconsider some past encounter, to perhaps even reach out in the wee hours and offer amends to someone with whom I was at loggerheads. My wife, then my girlfriend, and I were a year out from our wedding when that job occurred, living across the country from each other and working steadily toward merging our lives. I had a lot of time to envision the shape of the days that were coming our way.
Some people go deep into the backcountry to do their thinking. I’ve managed to find my solitude along fencelines in Missouri and Kansas and Oklahoma (6).
The worst part is the first couple of hours after a night shift ends. The principle of reporting to or disengaging from that kind of work goes something like this: Save the long drives for the daytime. So if your shift ends at noon, you have to calculate where the pig is going to be twelve hours on and go find a hotel room close to that spot, so you can quickly get back to it. It’s both art and science, anticipation merged with the variables of time, speed, and distance.
On that job, I slept in Marshall, Missouri, and Harrisonville, Missouri, and Iola, Kansas, and Bartlesville, Oklahoma. Every one of them was a long drive, fifty-plus miles, from where my shift ended. The sun is up, the day is in full, and you’re driving into it while trying to fight off exhaustion. You get headachy. You get to your hotel and maybe they’re not ready for you, because, you know, check-in is at 3 p.m., and that’s far too late—by then, you’ll want to be deep into the REMs. So you beg and you plead, and if you’re lucky, they’ll finally give you a room. You shower, then you eat wherever you can, because you really ought to eat something, and you do not want to turn on that TV, believe me, because you’ll never get all the way down into the best sleep if you do that. And sometimes you flip it on anyway and the news of the day gets the attention you should be giving to your pillow.
The most tired I’ve ever been, in the confines of a single day, happened about fifteen years ago, on a trip with my first wife before she became my first wife. We drove from Billings to Yellowstone National Park and all through it, then came on home. Fourteen hours, and I did all the driving, except the last thirty miles, when I told her, in all seriousness, that I could see dinosaurs running alongside the road. She rightly asked me to pull over so she could take the wheel.
I never saw dinosaurs on a pigging job, nor did I ever see bedsprings in the trees (7). The weariness swallows you in a different way out there. After the Yellowstone trip, I slept for one night and was subsequently fine. During a five-day pigging trip while on the night shift (8), your compromised sleep rolls over from one day to the next, and each round, you’re just a little more punchy. It’s a weird duality, though, because the sluggishness exists outside the job—I didn’t have the bandwidth for answering personal emails or undertaking complicated phone conversations, but in the narrow scope of tracking the pig, keeping the records, staying on top of where it was and where it would be, I felt ever sharp. It’s a strange thing to live in immediate clarity but to feel the mushiness and see the slow-motion unfolding of everything else just beyond your frame of vision.
And here’s a kick: I love the night shift. I vastly prefer it to the more normal cycle of the day shift. The dreamlike state beckons me, I think, because I come by it honestly. Away from the pipeline, I’d have to indulge in alcohol or some other powerful drug to feel the same sensation, and I’m not indulgent in those ways. Time and motion and the absence of light achieve the same state at a much lesser cost.
A new novel came out this year, my first solo effort since 2017. It’s titled And It Will Be a Beautiful Life, and at its center is a man named Max Wendt. He’s a pig tracker. It was probably inevitable that this sliver of my working life, something I initially undertook to fend off boredom, would find its way into fiction, but you’ll just have to trust me that I didn’t become a pig tracker so I could write about a pig tracker (9).
The great Larry Watson, interviewed in Montana Quarterly several issues back, said something that sent me into a fit of fervent nodding. “I write from memory, not observation,” he said. “Yet my memories are formed by observations, and then memory and imagination distort those observations into something useful for fiction and something that’s also truthful in its own way.”
Mr. Watson’s words are an eloquent cousin of a cruder equation I’ve often sketched out: memory + experience + imagination = fiction.
The memories and experiences (and distorted observations, as Mr. Watson points out) of being a pig tracker inform the character of Max Wendt. But my life on the pipeline is not his. More important, his life off the pipeline is not mine.
One of the great and worthwhile struggles of this existence is figuring out how to balance who we are and what we do and finding a way to stow the overlap. It’s hard to be good at what you do if it’s not also, at least to some extent, what you are. And yet, it’s so easy to lose yourself inside what you do to the point that you lose touch with who you are.
That, I think, is the central struggle of Max Wendt. He’s a pig tracker. It’s what he does and how he sees himself, and much to his consternation, it turns out to be not nearly enough.
I am not him, and he is not me, but I get it, man. I do.
(1) — Pig tracker. It doesn’t dazzle on a business card, which is OK, because not many pig trackers have business cards.
(2) — I don’t talk about the companies for which I do work, for obvious reasons. I will say, though, that the job of a pig tracker exists on the safety end of things, and even if you’re anti-pipeline, you ought to be glad someone is doing that work. The pipelines are out there. Do a Google image search for “U.S. pipeline map” and behold the tangle.
(3) — People mow their lawns at midnight. It’s wild.
(4) — The alarms are to ensure ongoing communication with the pipeline control system. You lose track of time out there. An alarm reminds you to call in and let the engineers know where you are.
(5) — And yet, there’s no fear. At least, I’ve never experienced it. I’ve been careful not to wake up folks in nearby farmhouses, and I’ve certainly been startled (a dog running loose, raccoon hunters tramping out of the woods, even a bear crashing through the brush), but I am not afraid of walking into the dark.
(6) — And Michigan and Ohio and New York and Illinois and Indiana and Minnesota and Wisconsin and North Dakota. I’ve been everywhere, man.
(7) — A musher I knew in Alaska, Tim Osmar, talked about seeing mattresses in the trees toward the end of the Iditarod one year. He needed some sleep.
(8) — The day shift, on the other hand, is a cinch. Easy to bag eight hours of sleep. Easy to take your breakfast at the usual time. Boring, if you ask me.
(9) — Who else are you going to believe? I’m the only one who knows.
Craig Lancaster is an author, an editor, a publication designer, a layabout, a largely frustrated Dallas Mavericks fan, an eater of breakfast, a dreamer of dreams, a husband, a brother, a son, an uncle. And most of all, a man who values a T-shirt.