What's Up With Craig?
A BLOG THAT DRIFTS INTO HIGH ART,
LOW HUMOR, and RANDOM OBSERVATIONS
OF THE WRITING LIFE
Photo by Casey Page
Come October 1st, it will be six years of marriage and about seven and a half years of togetherness for Elisa and me, and let me tell you: That's long enough that most of the stories have been told, mine to her and hers to me.
We scooted away for an overnight trip to Great Falls this week. I had an event at Cassiopeia Books and an overdue acquaintance to make with owner Millie Whalen, and it was nice that Elisa and I could get away, just the two of us, for a little while.
On the trip home, one of those untold stories spilled out ...
Great Falls is where a lot of my family lore resides—my father, born in Conrad, grew up around there, and he and my mother married there long before I showed up—but it's not somewhere I often go. In nearly sixteen years of living in Montana, I've been only a handful of times, far less often than I've been to Missoula or Bozeman or Livingston or Helena or, heck, Miles City or Glendive.
But in 1992, I almost moved there. That's the story that had gone untold.
Now, when I say "almost," some qualifiers are in order. I wanted to move to Great Falls (or thought I did). The sports editor at the Great Falls Tribune at the time, a wonderful guy named George Geise, wanted me to move to Great Falls. The man who could make it happen, a senior-level editor at the paper I'd just as soon not name (but whose name I've never forgotten), made it clear I wouldn't be welcome there.
The reason: I didn't have a college degree, and he didn't think I was qualified for the job without one. (I still don't have a sheepskin, but that's another story.)
Now, let's be clear: This guy was flat-out wrong. I could handle the job I'd applied for (sports copy editor/page designer). I was handling it at a paper of similar size in Texarkana, Texas, and I would go on to handle it at progressively larger, more prestigious papers. I would, in time, become well-decorated and well-traveled. I would lead workshops in editing. I would direct a large sports department at a large West Coast newspaper.
I would ... but I hadn't yet. Not in 1992. Then, I was a 22-year-old kid with some talent and, in fairness to the Executive Who Shall Not Be Named, some cockiness that was a bit out of proportion to the skills I'd honed to that point. And that imbalance, I think, would have been a perfectly valid reason for him to say, "Sorry, kid, not going to happen here."
But that's not what he said. He fixated on the degree I didn't have. I didn't get the job. George Geise was disappointed. So was I. There was personal history to unearth in Great Falls, and I was already well in love with Montana, an affair that goes on and on. I thought I was missing out on something important.
So, stuck for a while longer at a job in Texarkana I no longer wanted*, I made a resolution, one that has stuck for 30 years:
No way was a guy like that going to be right about me.
I made sure of it.
*—In Texarkana, the single most appalling moment of my journalism career, now more than three decades old, happened. When Magic Johnson rejoined the NBA after his HIV-positive diagnosis, I played the story big on the front page of the sports section (as did just about every paper in America). The next day, a copy of the page was in my mailbox, the story circled in red pen, along with a note from an executive at the paper: "Magic Johnson is an immoral HIV carrier, and none of our readers care about him." I should have quit on the spot. It's to my eternal chagrin that I did not. I did, however, start looking for a new job immediately.
Did I miss out on something by not finding my way to Great Falls in 1992? Well, yes. Something. But not everything, and not the most important things.
I didn't make it to Montana and stick here until 2006, when I was 36. Within a couple of years, I was writing books, something I'd have not even attempted 14 years earlier. By the time I got here, I'd already dug into the personal history that was faintly compelling me in my early 20s. I'd found my grandfather and closed an open question. I'd begun to talk to my dad about his life and his memories, so I could find ways to get closer to him. In subsequent years, I'd help, in whatever meager way I could, to put ghosts to rest.
The headstone pictured below on my grandmother's grave (in Great Falls) went in just 15-plus years ago, well after her death, as my father began to forgive her for the ways she'd wronged him, a thawing of feelings that came about because he and I started digging in the hard soil of his past.
On some level, I'm just guessing, but I doubt any of that would have happened the way it did if I'd shown up in Great Falls at the callow age of 22 and burned through that job the way I burned through others during that time in my life. Montana might have been over and done with before I could have gotten to know her. I might have missed the best years I've enjoyed here. The very best years of my life, as it turns out.
So far, anyway.
I just—and when I say just, I mean less than an hour ago—finished constructing and printing out the interior print file for Elisa's forthcoming novel, All of You. I'm proud for so many reasons: that she's written another banger, that she's making tangible progress toward getting it out there, that I am able to use a skill I've developed to help her. Elisa believes in this novel, and she's reached a juncture in her career where putting it out herself and realizing her own vision for it is of paramount importance to her.
And that gets at why I'm most proud: A year ago, she wasn't sure she'd ever be here again. Three years ago, I wasn't sure I would be. Much of the joy of writing and publishing and connecting had been sucked out of it, for both of us, for similar and divergent reasons. And, listen, if you can't find the joy, there's not much reason to keep going. The difficulties are too numerous, the frustrations too pitched, the dead ends too abrupt in the best of circumstances. Joy, and its cousins purpose and determination, helps carry you through all of that.
I won't speak to how Elisa lost joy and found it again; that's her story to tell in her way.
But I can speak to my own journey ...
Facebook is a scourge, mostly. But it's also a scourge with features that aren't easily replaceable through other means. I can't call up my nieces and nephews on the daily and ask what's going on their lives—I mean, I could, but they'd quickly tire of it, and I'm just not constituted to operate that way—but I can see every important turn on Facebook. I can be conversant about what they're doing. I can feel connected to them.
Similarly, there's nothing quite like Facebook's Memories feature to remind you of the way things once were. Sometimes, it brings into sharp relief just how different your current circumstances are. Elisa and I get this a lot, especially this time of year, which synchs up with the first summer of our courtship—The Magical Summer of 2015, as we like to call it. And so we sit at the breakfast table, older, paunchier, scuffling harder to pay bills, not knowing when or where our next vacation will be, and we sigh contentedly at the memories of a time when royalties were flush, there were no jobs to go to, and we could just disappear without worrying where the next check was coming from. And we say "gee, wouldn't it be nice to experience that again?" and we agree that it would be, but we're not really thinking about how much richer life has become in other ways, lost as we are in the haze of memory. We're not thinking about the house we bought together, the pets we love, the history we're building. We're thinking about being financially carefree and unbound by anything other than our imaginations.
They're pretty sweet, those memories ...
If you've read the past several paragraphs and thought, OK, great, Craig, but that was a bunch of sentimental claptrap about life and leisure and I'm here for the struggle with art, let me say this: I find it impossible to separate the two. Those memories from 2015 beguile us, in part, because of what fell out from there: Love and marriage and commitment, yes, but also struggle. We both wrote and published books we loved and believed in, same as we had before, only those subsequent books weren't commercially successful in the same way their predecessors had been. We fought against ourselves to recapture what we thought we'd lost, not really having any idea what it was or why it had seemingly gone sour. We got dumped by our publisher, and while it would be nice to be above it, to greet such news with an attitude of "their loss," the simple fact is that the losses felt very much like ours. It felt like rejection, because it was rejection. It hurt because we are humans, and we bleed when we're cut.
It's important to know that, even as you build yourself up as special, you're not. Rejection isn't your burden alone; everybody grapples with it. A change in trajectory isn't singular failure that's on you; that's life and what happens sometimes when you have the audacity to live it.
It took a while to come out of that depressive trough. It took a while to find a new footing. It took a while to want to get in there and slug it out again.
For me, the breakthrough came when I realized that my happiest place was inside the work, where it was just me and the stories I'm trying to tell, where the measure of progress is keeping faith with what I'm attempting to do by showing up, every day, and doing a little bit more to realize it. When I rediscovered that, the rest began falling in. The publishing partner with whom I want to bring these stories out, who believes in the work the same way I do. The reconnection with a sense of fulfillment (not necessarily happiness, which is more transient and thus, honestly, less valuable to me). Exterior validations of the work.
But always, always, it's the work.
I see that in Elisa now, the spark she has rediscovered with this new book. She's fully into her own joyousness, and you can take it from someone who's seen this from her before and worried when it went away for a while:
Look out. She's got this.
Here we are, nearly halfway through 2022, and I've only just caught up to reconciling something that happened in late 2021. (I suspect this is either because I'm slow on the uptake or because I just hadn't taken the time to lean into my feelings and sort them out. Maybe even both!) At any rate, at the end of the year, the company for which I'd done some occasional pipeline inspection work for the past several years folded up its U.S. operations. Just like that, I was out of a gig.
First, the important stuff: It wasn't more than a trickle of an income stream, so it's not like I was jobless or under the threat of imminent financial disaster. It wasn't and never had been a career, so I wasn't grappling with the loss of self. The point being, it wasn't a massive blow to the bottom line or self-identity.
And yet ...
It was a blow, undeniably. I felt the absence, and I felt a little unmoored by the fact that I didn't have any work trips coming up. I found myself thinking inordinately about the places I would commonly go on these work trips—Buffalo, N.Y., and Chelsea, Mich., and Michigan's Upper Peninsula, and the far reaches of Minnesota and Wisconsin. My thoughts would drift to Minot, N.D., where I'd gone for my first such job, way back in 2015.
And then it occurred to me: What I'm really missing here is that liberating sense of being gone. I'm 52 years old, and I've never lost that urge toward motion, travel, getting in the car and going, any direction will do. I like hotels and corner restaurants. I like people watching in places where I don't know anyone. I like seeing what's over the next horizon, even if I've seen it before. By now, I surely most know that it's incurable.
So I told my understanding wife that I needed to go, and I packed up the dog and a week's worth of clothes, and I went. The idea was to go to Minot and, from there, launch revisits of a few pipeline routes that emanate from there. The Minot part was easy enough. The rest, though, went against my expectations.
Here's a glimpse (material stolen from a subsequent Facebook post):
I haven't missed the pipeline work—which, you know, is work—nearly as much as I've missed the travel and the solitude. The solitude most of all. I don't think happiness exists in a fixed place; it is, instead, what you make of it and where. But if I'm wrong about that and happiness really is out there in a place you can pin on a map, then I'm fairly certain that place is on a tertiary road in some lonely precinct where no one goes on vacation.
I came here thinking I'd ride the full length of a few lines, stopping at every checkpoint and taking them in, and I was wrong about that. I don't need that much immersion. I just needed to be out. Away. Gone. Just for a few hours at a time. God, how I loved it. God, how I've missed it.
On our last full day in North Dakota, Fretless and I rode a small portion of an 85-mile line that runs northwest from Berthold, N.D., to the Canadian border. It was, simultaneously, a total kick of nostalgia and an entirely new experience. The only time I did this line for real occurred in the deepest of winter, 2017. It was bitterly cold that night. The snow was in drifts. The wind blew the snow around in ways that would mess with your perception of things. On those dirt roads, some of them just two-track, you'd see a pile of snow and you'd stop the car and get out, the wind biting your face, and you'd walk it first to make sure you wouldn't get stuck. You don't want to get stuck, believe me. It's happened to me, more than once. It's bad. I once waited for seven hours in Wisconsin, my work vehicle sunk to its axles in a blizzard, for a tractor to come and yank me out. You don't want this.
See the pipeline marker in the photo above. To do my job, I'd have to wade through snow, sometimes chest-deep, and put my sensory equipment there to record the tool passing by, deep underground. Then, after a passage, I'd have to wade back out and get the equipment, then try to swim back to the vehicle, hoping I didn't get hung up alone out there. Meanwhile, the tool was zipping along to the next checkpoint at about 7 mph, which is really hauling ass. It was desolately lonely and dark and cold and scary. I loved it so much.
The line parallels railroad tracks (see the map above), which cross the road at uncontrolled intersections. In the night and the cold and the dark, snow flying sideways and obscuring your vision, you'd have to be careful, hanging out in those places.
When Fretless and I went out, though, it was different. Warm and clear. Sunny. No snow. No drifts. More red-winged blackbirds than I could count, although not one of them stood still long enough for me to get a picture. Farmland was verdant with moisture, not gray and white and foreboding like in my memories.
That night I ran the line for real, in March 2017, we finished at the border and the snow was coming down in massive clumps. I drove to my waiting hotel in Williston, more than 100 miles away, unable to see a damn thing, holding my phone in front of me and using the GPS program to keep my truck on the road, or where the road was supposed to be. I didn't tell my wife about that until a day later, when I was safely home. I don't miss that kind of stuff.
A little more than a week ago, when I'd had enough, I asked Fretless, in the backseat, if he wanted to go back to the hotel. He wagged his tail agreeably. I cracked the windows, letting in some fresh air, and we got the hell out of there.
It was glorious. Every little bit of it.
I had to work the evening of getaway day, and long gone are the days when I can drive for eight hours and work for another eight, so we stayed that night in Sidney, Montana, another dot on the map rich with memories.
Again, borrowing from Facebook:
See the windbreak there? That's on the southern edge of Fairview, Montana, a little town that straddles the Montana-North Dakota line. In late summer 1981, when my dad was in the midst of moving his drilling rig from one town to another, the right-front tire on his International Harvester Paystar 5000 blew out and he, with much effort, brought it to a stop right there. I have a clear memory of this because I was in the passenger seat, so it was my side of the truck that dipped precipitously, as if we were going to pitch over on our side.
I also well remember it because it was a classic bad news-good news scenario. Bad for obvious reasons, and for these reasons: Dad's hired hands, who'd ordinarily be following him, had gone out ahead of us by a couple of hours. We were alone. Good because there's a house right there, and a small town just ahead. Easy to make a call, even in 1981, and get some help dispatched.
Now, lemme ask you this: What do you suppose the percentage chance was that this boy, who lived at the time in Texas, 26 years later would marry a woman from tiny Fairview (population now 900, but much smaller then)? As it turned out, 100 percent. (We divorced seven years later, so it's less a fairy tale than an interesting coincidence. But still.)
OK, let's move a dozen miles down the road to Sidney. That train engine, in Veterans Memorial Park, with Fretless offered for scale? I climbed all over that thing that summer. I was 11 years old, and that's pretty much the recreation that was available to me. The city fathers hadn't yet fenced it off, so I was free to clamber wherever I could get to. I also chewed illicit tobacco, given to me by my dad's helpers, who encouraged me to have all I wanted, knowing full well what would happen to me. Bastards. Anyway.
Across the street, still standing but no longer operational, it seems, was the Park Place Motel. I lived that summer in one of the bottom-floor rooms, with dad and his wife. It was entirely too cozy, entirely too stifling, entirely too familiar. And yet, I'm thankful for the memories, which quite without my realizing it were becoming fodder and fuel. I've set stories in that park, and in those fields beyond it. With very little disguise (or even much of a name change), I've turned Fairview into a character all its own, the little town of Grandview in This Is What I Want.
It's all been a gift, every bit of it. I'm grateful, all the time.
And I can't wait for the next trip ...
*—If I'm doing it right, there's both overlap and freestanding territory. For years and years, I didn't do it right.
Facebook, I've noted before, isn't good for much, but it's damn near essential for a few things: easy keeping up with far-flung friends and relatives, recipes, irritating others with your daily Wordle grid, cat memes, birthday greetings (the most heartwarming day of the year, every year), etc.
Increasingly, I'm finding value in the stored-up daily memories, especially the things I don't remember writing or don't remember the impetus for writing. Today (April 18) served up this kick to the hippocampus:
My newspaper career started in October 1988, when Jim Fuquay gave me a job as a part-time correspondent at the Fort Worth Star-Telegram.
It ended in August 2013, when I left my job as night city editor at the Billings Gazette.
In between, I worked at nine newspapers in six states. Some jobs I took for the adventure (Peninsula Clarion, Kenai, Alaska, age 21). Some I took for money (Dayton Daily News, 1994). I almost always regretted those, by the way. Some I took for escape (Anchorage Daily News, 1995, to get away from Dayton). Some I took because I knew they'd make me better (San Jose Mercury News, 1998). One I took to correct a mistake (San Jose Mercury News, 2000, after bouncing to both San Antonio and Olympia, Wash., earlier that year).
Twice I accepted jobs and then backed out before I was due to report (particular apologies to the Lewiston (Maine) Sun Journal).
I took different jobs for different reasons. Sometimes those reasons panned out and sometimes they didn't.
But most of the time, what I was really looking for in a new job was some new version of me. I never found that. Not once.
It feels good to finally admit this.
Let's unpack this, shall we?
Elisa and I were talking about this the other day, having reached an age at which there's plenty in the rearview to examine and second-guess and (we hope) plenty of road ahead to consider other pathways: If we had it to do again, would we make different career choices? What might we have done instead?
Because those ponderings inevitably run up against the butterfly effect, we ended up in a predictable place: Nope. We're good.
But it remains an interesting thought experiment, if only for the clarity you find about the choices you did make. I ran toward print journalism—and stayed there a good long time—because it made good use of my particular talents and because it was, in my narrow sense of the word, a daily adventure. Within the strictures of daily newspaper production—you have to gather the stories and stats and pictures, you have to edit the material, you have to design the pages upon which it all rests—were wide variables in what you dealt with daily. The news was always different. The pages began, every day, as blank canvases. I loved that.
What I traded for that was significant, though: Friends in other lines of work made more money, enjoyed greater security and stability, had evenings and weekends free, etc. These are not insignificant things.
Who I was and my stance with regard to work, especially in my 20s, are so entirely removed from who I am now that I have to strain to remember that guy. I know that his entire definition of self was wound up in being a journalist, that he went to bed thinking about it and woke up each morning with it on his mind, that he bounced up to the world with that shingle around his neck. I lived to work, and I sought out any chance I had to work extra hours, to get plum assignments, to make myself as close to indispensable as I could (an illusion, of course, but one I willingly bought in those years).
It's what I didn't do that taunts me now. I didn't fall in love in those years; how could I, when the aggrandizement of Craig the Journalist was front and center among my priorities? I get at that idea in the Facebook memory above: In all my wandering around, looking for some new version of me, I carried my old self into each new situation (wherever you go, there you are). I didn't learn to play the guitar or take a judo class or write a novel.
Until, you know, I wrote a novel.
When I was trying to emerge from brokenness and impending divorce in 2014-15, I spent a lot of time with a counselor (highly recommended) and with my nose in reading material aimed at my mental/emotional state (e.g., King Warrior Magician Lover) and my soul (The Rag and Bone Shop of the Heart). I wanted to understand what was happening to me, why it had happened, the parts for which I had responsibility (many) and the parts I had to let go (also many).
I also read a lot of shorter pieces, some with resonance and some without. Two that stick out, years after the fact, were written by Mark Manson. I recommend these highly, whatever your situation:
Fuck Yes or No: "Since you’re now freeing up so much time and energy from people you’re not that into, and people who are not that into you, you now find yourself perpetually in interactions where people’s intentions are clear and enthusiastic. Sweet!"
The Guide to Strong Relationship Boundaries: "People with poor boundaries typically come in two flavors: those who take too much responsibility for the emotions/actions of others and those who expect others to take too much responsibility for their own emotions/actions."
I hear what you're saying. Craig, you're saying, this is great, but you're talking about personal relationships now, and you were talking about work, and I'm confused.
No, no, I'm still talking about work. This is the point. In the extreme emotional duress of a divorce—a traumatic thing I do not recommend, unless, of course, it's the thing that will skirt an even bigger trauma—and with the help of a well-trained, compassionate human and the collected wisdom of learned thinkers, I began to unlock some problems I'd dragged into every area of my life: my interpersonal relationships and my relationship with work.
This hard process of dredging up changed me. Better personal boundaries also meant better work boundaries. I'm no less good at what I do—in fact, I'd argue that I'm much, much better than I've ever been—but no longer am I defined entirely by a magazine spread that I've designed, or a report I've edited, or a chapter I've written. What I do is also who I am, but it's not the entirety of the picture.
It was written mostly as a joke, but like any good joke, there's truth inside it. In the sidebar on this blog, I define myself this way:
Craig Lancaster is an author, an editor, a publication designer, a layabout, a largely frustrated Dallas Mavericks fan, an eater of breakfast, a dreamer of dreams, a husband, a brother, a son, an uncle. And most of all, a man who values a T-shirt.
I can live with that.
In some significant ways, what's happening now in the American workforce—this thing they're calling the Great Resignation—is a manifestation of an assertion of boundaries. We've been through a lot: social tumult, a deadly pandemic, a rebalancing and cross-pollination of work lives and home lives. People are reconsidering what they value, how they want to toil, whom they want to toil for, and what price they're willing to accept for those vast swaths of their finite lives. Good. It's healthy in the long run, even if it's upsetting to the status quo in the shorter term.
The last time I moved—packed up my life and my car and my expectations--for a job was more than 20 years ago, when I left Olympia, Wash., to return to San Jose, a place I never should have left in the first place. I can't imagine doing it again, although one of the benefits of growing older is learning that one really shouldn't say never.
My point is that although I plan to strap on the work boots for a good long time—I like to work, a fact that was clear even 30 years ago, if badly applied--where I am and who I am and how I'll share those parts of me need more than just a job. I need a multidimensional identity, too, and at last I have one. That's what I was missing in all those moves cited in the Facebook post above.
The last time I recast how I define myself professionally occurred when I wrote and published that first book and I figured I could finally call myself a novelist instead of just a guy who wished he had one inside him that he could extract. That was nice, too, but it's not everything. Without the laying about and eating breakfast and doting on my nieces and nephews and being a son and a brother and worrying about the Dallas Mavericks and spinning through this life with my wife, in fact, it wouldn't mean much at all.
Hello, 2022 ... and all of you here to see it. It's been a trip, huh?
Just before Christmas, in a final furious week of drafting, I finished the first pass at a new novel, which I'm calling Dreaming Northward. It is, as I expected given the brisk pace of my finishing kick, both a fully satisfying arc and a manuscript that needs a lot (A LOT) of work. That's how these things go, at least for me. I write them to see I can get from here to there, then I spend a lot of time cogitating on what I've done, then I rewrite to more fully expose the story I think I'm trying to tell, then I revise, revise, revise to really hone whatever it is that I have. (Followed, of course, by even more editing if—knock wood—the thing gets published, followed then by a beautiful, finished book that I immediately wish I could have another crack at.)
Anyway, I hope to share it with you ... sometime. Probably 2023. We'll see. A lot left to do.
I mention this because my friend Jeff Deck reminded me of something on Facebook today. Here are Jeff's words, which are much more eloquent than mine:
I'm Random Penguin House author Jeff Deck, and I have an important message for you today:
Getting published by a major house will not make you rich.
It will not pay your mortgage. It will not clear up your skin. It will not get rid of those love handles.
It will not make you a bunch of friends, nor will it get you laid. It will not make your distant parent say they're proud of you.
It won't relieve you of the onus (and cost) of marketing your book yourself, either.
What it will do is get your book into physical bookstores. And potentially improve your chances of getting a second book traditionally published. But mostly it's the distribution thing.
Many people fix their eye — and their hopes, and their self-validation — on getting published by a major house. My wish for you is to recognize the value in your work no matter how it ends up being published, whether via the Big Five (Big Four?), a mid-size or small press, or self-publishing.
Recognize the value in it BEFORE it's published, too. The work you put into your story is real. The time you spent improving your own skills along the way should be recognized, and celebrated.
Goals are important for motivation. But you are "worthy" *right now*. And you will continue to be worthy every step of the way.
Writing is a long journey, even (especially) after publication. No matter which publishing route you choose. Belief in your own value — and a daily celebration of your own work and words — will sustain you along the way.
Every word is absolutely true, by the way. I often tell folks that they should celebrate having done the work as much as they celebrate anything that flows from that work. Sometimes, they think I'm bullshitting them. I'm not. The work is sustaining. The rest is ... the rest.
Received some lovely news yesterday. And It Will Be a Beautiful Life was the bestselling book for 2021 at my local independent bookstore, This House of Books. I'm grateful to the bookstore—where I'm a proud member-owner (it's a co-op)—for being such a wonderful supporter of not just my work but of the many, many fine regional writers who are doing such important work here. And I'm grateful to the folks, near and far, who bought a copy from THoB and kept the oxygen flowing to an independent bookstore. The cultural life in my town is much the richer for its presence.
If you'd like a signed copy of the book, THoB will be happy to fulfill that desire. Simply order online and mention in the comment field that you'd like it signed, and I'll hop into my trusty blue Toyota, drive downtown and sign it for you.
And, hey, if it's a paperback you want, I have good news:
The paperback version releases in May, and you can preorder through THoB (I'll be happy to sign those, too, once they come in), through your local independent bookseller (please!) or wherever you get books.
Dispatches from the staying-in-touch department ...
Will the pig run again?
I've written before about my occasional life in pipeline inspection — an association that inspired an entire novel — and had been looking forward to getting out there again in the spring, after the usual wintertime slowdown. Well, maybe, but also looking like probably not. The company for which I did work recently shuttered, and there's an industrywide slowdown, so I may be on the obsolescence end of progress (or regress).
I can't say I'm particularly heartbroken. Pipelines are a destructive, invasive way of delivering extractive sources of energy, and for the future of the planet, it's high time we develop alternatives that are well within our grasp but beyond our political will. On the other hand, there's a practical consideration: We already have the damn things, and we're using them. The job I did was essential to the safety end of matters. Let's hope that continues until we can pull those things out of the ground and return the land to those from whom it was stolen.
I will miss the travel to exotic (read: remote) locales and the chance to meet people in their natural habitat. But that can be enjoined in other ways, obviously.
I recently did something I should have done a long, long time ago: I joined the Authors Guild.
So here's where I cop to self-interest: I began to consider the possibility earlier this year when, quite apart from any involvement from me, my former agency descended into founder-vs.-founder contretemps and my meager royalties from long-ago books started showing up late or not at all. My former agent, also caught in the crossfire as her old shop melted down, was a champion and an ardent defender of my rights, it should be pointed out, and she got my situation squared away, for which I'm eternally grateful. But it occurred to me—again, when my self-interest was compromised, an entirely human condition that I'm trying to rise above—that in this whole solitary business, you have to grab a little solidarity where you can get it and stand strong with those who do what you do.
I'm also reminded of something wise I once heard said by A.W. Gray, a well-regarded crime novelist but better known to me as the father of my boyhood best friend: "The people who need unions the most are those who don't have them."
The rustling around of some of my writer friends tells me November is coming, and that means National Novel Writing Month (NaNoWriMo). And sure as the swallows return to San Juan Capistrano, someone (or several someones) in my circles will openly disdain the whole exercise.
If I wished to be casually dismissive of someone's point of view—to suggest that they haven't legitimately arrived at their thinking—I could certainly do that, but I think not hearing each other has caused us enough problems. My own view is that a communal writing experience, in which thousands upon thousands of people set aside some time and try to create something, is very much a good thing. Perhaps the attendant expectations often get wacky—no, you're probably not going to write a finished novel in a month, and no, laying down 50,000 words and "winning" NaNoWriMo doesn't ensure publication, and no, the act of drafting is not what it's all about—but the expectations aren't the toil or the making of art. You want to spend November trying to pull a novel out of yourself? Bully! Do it!
I won't join you, though, for reasons I'll get into below. And my getting into them might just illuminate what a NaNoWriMo participant can expect from the experience. On the other hand, what do I know and who am I to say? Well ...
1. I've Been There and Done That
In 2008, prompted by my friend Jim Thomsen, I committed myself to a month of writing and had what has turned out to be a dream trip. I drafted my first novel, what eventually became 600 Hours of Edward, in those 30 days. (Actually, it was 25. No, no, wait, it was 17 on account of the off-days; see the breakdown below.)
This, a bit regretfully for me, has become a sort of boilerplate in any account of my subsequent fiction-writing career. It shows up in reviews, gets asked in interviews, etc.: Here's the guy who wrote his first novel in 25 days and got it published and it eventually became an international bestseller and it's just that easy!
It's not just that easy. I've written nine books since then, not a one of them as commercially successful as the first, all of them better pieces of writing (in my estimation), and I've come to view what happened in November 2008 as a one-off, a writing project never to be replicated by me in quite that way again. I had an idea, I gave in to the mania of writing it as quickly as I could because of the format, and I had the good fortune of writing something that has connected more broadly than anything I'd written before or am likely to write again.
I'll take the win and say I've already played the game.
2. For Me, It's About Not Writing as Much as It is About Writing
NaNoWriMo's pitch to prospective participants is pretty irresistible: They say we all have a novel inside us. Commit yourself to finding out.
As far as it goes, a fine idea. And every November, people find their people, fellow writers who are trying to meet the challenge. There are supportive text exchanges and writing get-togethers and coffee klatches, and these are all wonderful things. Writing can be such a solitary, doubt-filled endeavor. NaNoWriMo brings community to the fore.
The thing is, writing novels has helped me learn to embrace the solitude. It's also made me realize that some of the best work I do happens when I'm not at the keyboard, pushing my word count ever higher. It's in the quiet consideration of things, reflecting on the characters and worlds I'm trying to create. It's in feeling the rhythm of the world around me and participating in it. It's in letting the well refill.
All of which is to say that ginning myself up for a writing dash in November is far less important to me than listening inward and doing the things I need to do to stay engaged with my work and with the larger life I have that supports it.
3. The Whole Word-Count Thing
OK, look, I get it: NaNoWriMo is selling "get that novel out," so there has to be an attendant metric by which you measure how successful you were in meeting the challenge.
Word count is just so lacking in so many ways because it puts the wrong objective forward. I can't speak for professional writers who disdain NaNoWriMo—by now, I should be on record as very much pro-the-spirit-of-NaNoWriMo-if-not-necessarily-the-way-it's-sometimes-applied. But many people who've spent a lifetime developing craft, absorbing rejection, trying again, getting better, breaking through will view word count as one of the least important things they do, far less vital than getting the arc right (which will, by its nature, produce the words), clarifying theme, achieving empathy, sharpening the prose, etc. That NaNoWriMo considers 50,000 words success can just feel a little thin when you know just how hard it is to write something worth publishing.
For what it's worth, here's how my word counts proceeded in 2008 (first number is the cumulative total, and the parenthetical is that day's work):
I look at those totals now and feel sheepish that I felt compelled to keep the record and to commemorate it. Why? It wasn't the total that was driving me; it wasn't the prospect of "winning" NaNoWriMo so I'd have a cool pixelated badge I could post here 13 years later. I wrote like mad because I had inspiration on the hook, and having never written a novel previously, I didn't trust myself to let it come to me in a more moderated way. I cannot conceive of an 8,000-word writing day now. I'd probably collapse if I tried it.
But here's the truth: I'm no less excited about my current project than I was about the book that became 600 Hours. I just don't feel the need to sprint. Thus, NaNoWriMo's appeal is lessened.
4. So What To Do?
This ain't a hard question. Do NaNoWriMo, if that's what you're jazzed about doing. Don't if you're not.
Whatever the choice, I'd urge reconsideration of what success is, in literary terms. Success is writing that story, in whatever way you do it and in whatever time it requires. That's it. It's a singular success that stands alone from getting an agent, getting a publishing contract, seeing your story in print, selling a hundred gajillion copies. Success is doing the work. Period. Full stop.
My buddy Jonathan Evison, one of the most talented and generous writers I know, wrote some number of novels and buried them in his backyard long before he broke through to publication. They weren't wasted effort; indeed, Johnny would tell you that work was foundational to everything he does today.
The man speaks the truth.
Several years ago, I would rope my Facebook friends into this weekly crowdsourced writing project called "The Word." The exercise was not my invention. I lifted it from Janet Fitch after I'd read something from her about it, and it quickly became something I did both on my own time and on those rare occasions when I would lead a writing workshop.
It's such a simple concept, full of creative potential: You solicit a single word, then proceed like so: That word inspires a short story that you're to write in a nominal amount of time (say, an hour), and the resulting story must include the word. It's so much fun to give a single word to a large group of writers—say, for example, a group of inmates at the Oregon State Prison, where I led a workshop several years ago—and see the wide diversity of what comes back.
So every week for the better part of a year, I'd say something like this on Facebook: "Give me a word. Any word will do. Give it to me." I'd accept suggestions for an hour or so, run a random number generator, choose the corresponding word, then sit down and write.
Below is an example of a resulting story, taken from my collection The Art of Departure. If I remember correctly, the word that prompted this one was "squab." It ended up taking quite the backseat in the story it inspired.
In September of that year, our neighbor Wayne had this idea that he could get rich by selling groceries Amway-style, and he booted his twelve-year-old boy out of his own bedroom and put up shelves loaded with packages of spaghetti, cans of roast beef, soda pop by the case and other non-perishable goods.
Soon after, Wayne came over to our house and gave my folks the pitch, showed them how, if they just signed up a few friends and those friends signed up a few friends, and so on, they could make as much as $10 million a month, all by making a little bit on every transaction.
“Everybody needs groceries,” Wayne said, mopping sweat off the folds of blubber on his neck. “It’s the perfect plan.”
My pop liked Wayne, liked going out with him occasionally and tossing back some suds, and he paid the ten-dollar membership fee and accepted the tabbed folder that contained the list of goods and prices, as well as several pages of helpful hints for enrolling friends in the program.
“We’ll see what we can do with it, Wayne,” Pop said, showing him to the door. “It’s an interesting idea you have here.”
The old man had said something similar a few times before. We still had a shed full of cleaning chemicals that Wayne had foisted on Pop in an earlier scheme. The stuff was supposed to get rid of deep grime on contact, and sure enough, it performed as advertised. It also ate a hole in our carpet. Pop put the stuff in the storage shed because, I think, he didn’t quite know how to dispose of it, and he didn’t want to hurt Wayne’s feelings. A similar sensibility had driven him to sneak out of the house one night and open the door to the pigeon coop Wayne had insisted he build. The next morning, the flock had flown away, and Pop went across the street and told Wayne that they wouldn’t be making that killing on squab.
“You’re a soft touch, Leonard,” Mom scolded him, and Pop mumbled something about how it didn’t hurt anything.
Mom often said that the old man “enabled” Wayne’s irresponsible behavior; most of Mom’s vocabulary came from the self-help books she consumed with the fervor of the newly touched religious. That idea never seemed to resonate with Pop.
Mom thumbed through the folder. “This isn’t going to work.”
“Why not?” Pop asked. “Seems like a decent idea. Like Wayne said, everybody needs groceries.”
“Yeah, but look at this.” Mom thrust the folder at him. “Now just look at that: Cheer laundry detergent for $2.49. I can get it for a dollar less down at Skaggs. And $1.50 for a two-liter bottle of Coke? I got it for 99 cents yesterday!”
It went on like that for another half-hour or so. After the first few broadsides by Mom against Wayne’s plan, Pop looked for an escape. He tuned in to the Texas Rangers game on the radio, while Mom sat at the kitchen table and lingered over the list of products and prices. Their interplay was a series of exclamations in one room and knob adjustments in the other.
“Two-ninety-nine for Sanka!”
Pop turned up the volume on the radio.
“A buck eighty-nine for Doritos!”
Pop flipped over to Bill Mack on WBAP.
“A dollar-ten for a can of tuna!”
The old man turned off the radio and went outside.
“Rangers lost,” I said. I held open a lawn bag so Pop could scoop a load of early fallen leaves into it.
“Figures,” he said.
I shook the bag to settle the leaves and then tied off the top. Pop fished his smokes from his front pocket and lit up.
“I guess Wayne’s idea has a few flaws,” I said.
“Guess so.” The old man exhaled a string of smoke from the side of his mouth, upwind of me.
“You know, he kicked Ethan out of his own bedroom so he could put food in there.”
Pop didn’t say anything, but I could see his jaws clench. He was chewing on something that was giving him trouble. Whatever it was, I knew I’d never hear about it.
“Men sometimes lose their way, Jon.”
He crushed the cigarette into the brick of the house, behind the hedge where no one would see the mark.
“Come on,” he said. “It’s getting late.”
Not that we’re back in eighth grade or anything, but in the couple of days that this thing has been sitting on my head, wanting to come out through my fingertips even as I had no idea how I would start it or where I would end it or what I would put in the middle of it—and, Jesus, now I’m quoting Seger, what to leave in, what to leave out—I’ve been thinking about a decidedly eighth-grade question:
Who’s your best friend?
Is it your spouse, the person you spend the most time with, the person who hears and tolerates and rides out all the stupid shit you say, the person who’s in bed with you, who knows every embarrassing thing, who shares all the same things with you, who knows where the hurts and the hopes and the hesitations are? That would be a good answer, your spouse. In most considerations, yes, that’s absolutely the answer for me.
Or is it your work confidant? Your childhood friend who has somehow endured? The high school classmate you didn’t know then but are connected with now and cannot imagine not knowing and loving? Your college roomie? Is it your neighbor, the person in the pew every Sunday at church, the father of your kid’s best friend?
Or, maybe, is it someone who has rippled through your life, like a pebble sending slow-moving water rings to the shore? You had something going for a while, then life and distance intervened, then you picked it up and it was just as good as before—no, no, it was better—and then you set it down again, and then it came back one more time and it stuck for good. It has survived decades and losses and different cities and different sensibilities and different marriages and different jobs, and it’s the same thing it always was and it’s also something new, something evolving, something surprising and cherished. Couldn’t the person with whom you share all that be your best friend? Shouldn’t the person with whom you share all that be your best friend?
Jon Ehret was my best friend.
Jon Ehret is gone.
How am I supposed to do this without him?
Before I get into the various specific times and qualities and shared experiences that made Jon my friend, I need to answer broadly the question of why it worked for us, why we latched onto this friendship in the last decade of the previous century and saw it through for thirty years. No offense intended, but I don’t need to answer that question for you. The world can go on spinning if you don’t understand it, and while the world certainly will go on spinning if I don’t answer for me, here’s the deal: In hindsight, I can see it, all of it, what we shared and why it mattered and why it stuck. And hindsight is all I have, now. The drive Elisa and I never made to see him and Laura in their new house in Santa Fe, that’s not happening. His invitation for me to head down and meet him in Utah, where he was picking up a rescue bird (there will be more on this), the one I turned aside with “damn, my work schedule” and “invite me on the next one”—there won’t be a next one, and thus there will be no invitation. The last time I was in Buffalo, N.Y., his hometown (there will certainly be more on this), and invited him to fly out and he turned me aside with “damn, I’ll be at a wedding in Texas.” Yeah, that’s not happening, either.
It’s all hindsight and memories and smart-ass ripostes on Facebook and a text thread on my phone that I will never erase, in hopes that I can someday bear to look at it again.
That’s all there is.
So here’s why it happened and why it mattered and why it stuck, and if this is too abstract, you’ll just have to trust me: Jon and I were the same but different, and this is the second time in a week I’ve used those words to describe the way I’m hard-bonded to someone. And because those bonds were so difficult for each of us to find with other people—there’s nothing like the unexpected death of your best friend to serve as a reminder that you make friends broadly but struggle to hold on to them deeply—we held tight to the fact that we found them with each other.
I think we always knew what it was, but we took a long time to acknowledge it with a nod and longer still to say it and put wind under the words. We did, though. For that, I’m grateful. I have that, too, and so does he, wherever he’s off to.
So, look, I should hope it doesn’t happen to you, but maybe it already has, and the longer you live, the greater the likelihood that it someday will. Your phone rings one bright day, and it’s Laura, and you know it when you hear her voice, because although you’ve known her for as long as you’ve known him, and you love her as much as you love him, he’s still the conduit by which the whole thing goes, and if she’s calling, that must mean Jon cannot, and so here it comes.
This all occurs to you in a whisper of a fraction of a second. It’s fucking insane how fast and final it all is.
Jon died at work, at the bird rescue center in New Mexico where he had found purpose in semi-retirement. He was in his joy, and then he was gone before his coworkers found him. Fifty-five years old. Heart attack, it would seem. No warning, no chance at intervention and another outcome. Gone. I spent the better part of a decade flat-out ignoring a condition that I knew would kill me if I let it. Jon had a lovely day with his wife, then went off to his birds, and never came home.
We’re the same but different.
Laura tells you all this, and you remember another phone call, 1993, Owensboro, Kentucky, to Buffalo, New York, and you were the one piercing the bright day and saying our friend, Brian, he’s dead, and Jon says, “Why?” And you realize that’s one hell of a good question, then and now, because it’s the only question you have:
Nobody fucking knows why.
And you bounce to another memory, Brian and Jon at the center of it, where you’re at work as a sports clerk at the Fort Worth Star-Telegram, couldn’t have been later than fall of 1991, and you’re making fun of your boss’ phone manner, because you’re 21 and a smartass, and you pick up a dead phone and say, “Staaaaar-TelegramsportsthisisEd,” because that’s how Ed says it, and all the editors on the desk are laughing, because you’re one funny sumbitch, and you don’t see Ed behind you and he says, “That’s pretty good. Good skill for your next job.”
And here’s Brian: “I just got a warm feeling.”
And here’s Jon: “That’s not a warm feeling. That’s Lancaster pissing himself.”
And here you are, missing them.
We met at the Star-Telegram. Jon was 24, and I was 20. He had a master’s degree from the University of Missouri in hand, and I was steadily on my way to bombing out of college for good.
The same but different.
He liked The Who and King Crimson. I liked Paul McCartney and R.E.M. I was making plans to move to Alaska (for the first time), and he thought that was the coolest thing in the world. I thought he was the smartest guy I knew, a brilliant layout man (we drew them in those days, kids) and someone worthy of emulation. We were big, lumbering guys, often more comfortable in our interior lives than we were on the outside. I covered up with a sort of zany bearing and kept a lot of my deeper thoughts to myself. Jon balanced anger and the most generous heart I've ever known.
The same but different.
Later, the connections went deeper. A weekend with the Ehrets after he and Laura moved to Buffalo, a day trip to Niagara Falls, an introduction to Newcastle Brown Ale, before it went all corporate. A snowy night, the last of the trip, when we ordered in and he urged me to get a cheeseburger sub and when I hesitated, he was all, “Man, it’s a cheeseburger on better bread. What’s the problem?” No problem at all. Delicious. And while we had surely eaten meals together before then, in my memories that’s the line of demarcation where shared food experiences became part of the deal: Jak’s in West Seattle, barbecue in Texas, seafood in Damariscotta, a legendary birthday meal at Walkers here in Billings on a minus-12-degree day, his urging me toward Ted’s Hot Dogs and Duff's in Buffalo, and my going to both, every time I'm there, even though we were never again there together, now much to my eternal regret.
“Buffalo is a great fatboy town.” I say it. I live it.
Jon said it first.
In 1996, I decided, after some consideration, to seek out my birthmother. I told Jon what I was doing, because I knew Jon would have both an appreciation and a point of view, as an adoptee himself. He didn’t tell me not to, but he presented every you-oughtta-be-careful-here he could think of. He said he couldn’t imagine doing it.
I did it anyway.
Many years later, when he could imagine such a thing, I could give him some on-the-ground intel. I could validate the things he got right, contradict the ones he got wrong, and throw up flags around the ones neither of us thought of.
He did it anyway.
And, our being the same but different, we had more to talk about, in conversations that had the width and breadth and depth of galaxies. The kind we had so much difficulty having with other people and yet never had trouble getting into together.
Another night of spotty sleep draws near, so let me just wrap it up this way:
I have four brothers in a family line that looks like a tangle of kudzu more than it does a tree. There’s the brother I inherited when my mother and my stepfather got together. We lost him four years ago. There’s another who was born to that union. And there are two half-brothers who came with the search for my birthmother, the one I pressed forward with despite Jon’s admonitions, just as he pressed forward later with his own quest and his own questions. Neither of us, I think, would turn aside the decision we made after it was done.
The same but different.
Then there’s the fifth brother, the one I chose, and the one who chose me. I know he’s my brother because he told me so, and because I told him so, and because he was the kind of guy who didn’t use words he didn’t intend, and he told me these a long time ago:
If you ever need anything at all, you tell me, OK?
I took him up on it, too, in ways that seemed picayune at the time and register even more inconsequentially now. I was lucky, I guess. I never needed anything substantial and life-changing. A kidney. A roof over my head. A slayer of the wolves at the door. You know, the biggies.
He filled mine. He broke it, too, just the other day. I’ll patch it up. He lives there now.
Originally published December 10, 2020
In the first piece I wrote for whatever this series of essays is becoming, I blithely noted a lifelong tendency toward restlessness. It’s a force that has driven research papers, inspired literature, informed film, and, in real-life situations, has ripped apart families, ended jobs, and launched fanciful and ill-fated dreams by the millions.
A worthy topic, no?
Here’s one small slice:
In my primary career, that of a print journalist, I worked for ten newspapers (1) in seven states (2) over the course of twenty-five years (1988 to 2013). The shortest stint in a job was three months (hello, The Olympian, and the tumultuous year 2000 (3)). The longest stint was the final one, seven-plus years at The Billings Gazette, from summer 2006 to late fall 2013.
In all of those years and all of those moves, I would pull up the stakes and fill the UHaul trailer for many reasons—money (4), status, opportunity, a sense of running to or running away—but the only factor that cut across every decision was this one: There looked better to me than here.
If you read a lot of pop psychology (5), you come across the phrase “Wherever you go, there you are.” It has a subtle efficacy, straddling the line between inane (it is what it is) and something much more profound. In my case—and, I suspect, in many cases—it manifested like this: I could spot another job (believe it or not, newspaper gigs flourished in the early years of my career), I could apply for it and get it (because I was good at what I did), and I could pack up all my crap and haul it somewhere new, put down first and last on an apartment, find a new grocery store and some restaurants that suited me, meet new co-workers and bosses, and make a startling, yet thoroughly unsurprising realization days or weeks later:
I’m the same broken jackass I was at the last place!
It took me a long time to learn that I wasn’t feeding the part of me that required some care, the part that had yet to suss out the important differences between fulfillment and happiness amid the considerable overlaps. Not long after my initial career ended, I was picking through the debris field of a marriage with a counselor’s help, and with a lot of reflection and reading, some of these concepts started to click for me. I said to her: “Jesus. I must be the dumbest man alive not to have figured it out before now. (6)” And she smiled at me the way my mother sometimes does when I am in the vicinity of a realization without actually arriving there. “You’re in your mid-forties,” she said. “That’s when most men get it, if they get it at all.” (7)
I don’t think I’ve gotten it. Sometimes, I think I’m asking the right questions, though. That’s progress.
I followed my stepfather into journalism. The difference between us—and it’s vast—is that the job was something he did, not something he was. I used to think I’d figured out something vital that had eluded him, that by pouring myself into the job and remaining mobile (no kids, no attachments), I was making my career work for me. That was an illusion. Truth was, the job was working me, and I was willingly giving it some of my best years without insisting on my share of that time.
My stepfather, meanwhile, rode out the vicissitudes of employment in a single place. Whether the job was good or bad or something in between, whether the bosses were genuinely caring or ogres, he did his work and came home to his family and his home and his life. He knew the difference between durable fulfillment and transient happiness.
Like many dumbasses, I thought I was so smart.
Let’s get back to restlessness. Certainly, that’s a condition that can lead a guy to choose the fleeting over the sustainable (8), to think he’s improving his lot when he’s really just going deeper into the hole. Restlessness, in itself, is not the problem. But restlessness is a gateway to transformative decisions, and those can be problems.
Restlessness, applied well, can be a good and useful thing. And if restlessness is in you, I believe it’s there to stay, so better to manage it than to be managed by it.
My newspaper career ended in 2013, and in the denouement, I was luckier than most: I granted myself release on my own recognizance. My first few novels had started to sell (9), I saw an opportunity to go, and I went.
That first year of not having any obligation that I didn’t willingly take on, I slowly unwound the spring in my chest. I wrote when I wanted to write, I played golf when I wanted to do that, I traveled, I made merry, I finished crashing my first marriage on the rocky outcroppings of incompatibility and disregard.
And somewhere in there, I felt the old stirring again. I wanted something to do, something to learn, somewhere to be. I was bored, a condition that’s the precursor to restlessness, which in turn is the spark that leads to decisions, good or bad.
This is how I became a pig tracker. (10)
In mid-October 2015, after a few weeks of dropping inscrutable hints about what I was up to, I wrote this on Facebook:
I'm working on a pipeline crew, if I haven't been perfectly clear in my pig ramblings this week. Specifically, I'm a pig tracker. A pig is a tool placed in the pipeline that runs from point to point. Different pigs have different uses. Some clean. Some scan the interior of the pipeline. Some purge. And so on.
A tracker stays in front of the pig—the tracker hopes—and records its passage at various crossings, gathering information on time, speed, etc. On a long, gentle run like this one, where the pig is moving about 3 mph and has to cover about 330 miles, that means the trackers work in shifts, day and night, 24 hours daily, all the time. We've been at it since Wednesday morning. We have a ways to go yet.
I'm on the night shift. Midnight to noon. Then I find a hotel somewhere down the line and I bang out some sleep. I just finished that part.
It's a weird, thrilling, lonely thing to skulk around the pipeline in the dark pitch of night. There's a lot of hurry up and wait on this job. There is, occasionally, a lot of hurry up and hurry up. You have to anticipate. You have to react. You have to figure out time and distance. It's fun. It's tedious, too, on occasion. Three days (nights) in, I'm exploring new frontiers of exhaustion. I'm reinforcing an old lesson, that Super 8's are, in many cases, not so super, and that Comfort Inns are not so comforting. …
What I love is that I'm seeing the America I don't know well. Dirt roads and empty precincts and ghost houses and forgotten cemeteries, and a million other things. …
I'm not doing it for money, although I'll certainly take it. I joke sometimes that I do it to stave off boredom, but that's too glib by half. No, it's something else. A chance to see and do and learn. All my life, I've been touched with wanderlust, that compulsion to see beyond present horizons. But I'm getting older and more rooted … I don't wander the way I used to. I miss it sometimes. Here, I can do it on my particular terms—work when I want it, without a desk on some office island, without some new corporate paradigm being triangulated by tiers of bosses. It's me and my night-shift buddy and our day-shift counterparts and the pig. We all keep rolling on.
Pig tracking falls into the good-decision bucket. It's never been more than an occasional job—too many other things to do: books to write, stories to edit, magazines to design, life with Elisa to savor—but the work speaks to both who I am and what I’m fundamentally interested in. Time and speed and distance, man. Wherever we are, however we live, those are the measurements that build our equations.
Without restlessness tugging at me, pestering me, maybe I never see that in such sharp relief.
(1) Deep breath: Fort Worth Star-Telegram; Peninsula Clarion; Texarkana Gazette; Owensboro Messenger-Inquirer; Dayton Daily News; Anchorage Daily News; San Jose Mercury News (twice); San Antonio Express-News; The Olympian; The Billings Gazette.
(2) Shallower breath: Texas (thrice); Alaska (twice); Kentucky; Ohio; California (twice); Washington; Montana.
(3) In less than a calendar year, I moved from San Jose, Calif., to San Antonio to Olympia and back to San Jose, where I clearly should have just stayed in the first place.
(4) Not too damned much of it, in retrospect.
(6) Hubris dies hard.
(7) Men are in a lot of trouble. More on this later, I’m sure.
(8) Guilty, many times.
(9) Talk about transience. It was glorious while it lasted, though.
(10) The main character in my upcoming novel, And It Will Be a Beautiful Life, is a pig tracker. This is not a coincidence.
Craig Lancaster is an author, an editor, a publication designer, a layabout, a largely frustrated Dallas Mavericks fan, an eater of breakfast, a dreamer of dreams, a husband, a brother, a son, an uncle. And most of all, a man who values a T-shirt.
All 600 Hours Of Edward And It Will Be A Beautiful Life Awards Books Bookstores Community Connection Craft Dreaming Northward Education Edward Adrift Family Geography History Libraries Memory Montana NaNoWriMo People Plays Poetry Public Policy Q&A Social Media Sports Stage Texas The Fallow Season Of Hugo Hunter The Summer Son This Is What I Want Time Travel Work Writers Writing