The Shape of Time
Originally published December 3, 2020
Just when you think Facebook has turned you away for good with its money- and data-grubbing perniciousness—and I do think this, on the regular—a friend posts something that commands your attention and sends you down the rabbit holes of memory and easy information, among the few reliable outposts in a pandemic that has separated us from each other.
The compelling headline: “The Rare Humans Who See Time & Have Amazing Memories.” The friend who posted it, Ingrid Ougland, commented: “I see the months of the year as this sphere or oval, with December and January at the top, spring months slide down to the right, the summer months are at the bottom and kind of flat, then we climb back up with the fall months. I can’t visualize it any other way!”
Envy was mine. I don’t see time that way at all. If anything, I see it in the old-timey movie effect of the passage of days, calendar sheets flying off in the wind, and suddenly Joseph Cotten (1) is a grownup standing in a place once occupied by a boy. Seconds tumble into minutes tumble into days tumble into weeks and months and years. Time compresses and stacks up, and I occasionally marvel that a colleague, blessed with what seems to be boundless youth, is, in fact, in his mid-thirties and should probably think now about doubling his 401(k) contribution. I wish I had (2).
I would love to see coming time in colors or shapes, if only to make the inevitable passing of it more interesting.
Upon thinking about it more—and herein lies the gift of Ingrid’s post: subsequent ruminations on time (3)—I realized that rather than seeing the days to come in some sort of order, I account for the days gone by with a storage system that’s varied in its cross-referencing and startling in the level of detail it allows me to access long after the time has slipped my grasp.
It’s difficult to get at proving this thesis with any degree of abstraction, so here is a concrete example pulled from the archives, such as they are.
Summer of 1976
A basic fact before we proceed, as it will clarify this anecdote and, in all likelihood, future writings: My mother and father divorced in 1973, when I was three years old. This is not an event that causes me to look backward in wistfulness, wondering if things might have gone better for me had those crazy kids stayed together. Indeed, things almost certainly would have been worse for at least two of us (my father, alas, never had it so good). So, please, if you feel compelled to pity, exercise it for a freckle-faced kid in some alternative universe who had to grow up in that household under the umbrella of that marriage. I’m fine. Really.
What their breach did saddle me with was a sort of bifurcated childhood—two wildly different existences that I had to stitch together as a whole. During school months, I lived in a suburban house out of central casting, with two and sometimes three siblings (my stepbrother Keith being the wild card there), a mother who ran the homefront operation and a stepfather who worked hard and was present to his family life. Call it Cleaver-esque if you wish. That’s not an entirely on-target assessment—there are a few sprinkles of Yours, Mine and Ours, too—but if shorthand is your thing, I’m not going to let us get derailed on the particulars.
Once school was out, my father would send for me, and I would spend summers with him in remote precincts of the West. Dad was an exploratory well digger, a job that scarcely exists anymore. (Slight deviation for self-promotion: My second novel, The Summer Son, will satisfy even the heartiest appetites for tales about well-digging.) He would drive from job to job with his truck-mounted drilling rig and a crew of helpers (sometimes one, usually two, and when I was around, I’d make three—or maybe two and a half) and would dig test holes that were subsequently detonated and picked over by geologists, whose task was to determine whether the findings warranted further extraction.
These jobs lasted for varying lengths—sometimes a couple of weeks, sometimes a couple of months—and so I have this passel of childhood summers spent in such places as Montpelier, Idaho, and Baggs, Wyoming, and Limon, Colorado, and Sidney, Montana, and Price, Utah. I slept in motel rooms and on fold-out couches in fifth wheels, and, occasionally, in tents. Every morning, I’d ride with my father and his crew out to the fields where they were working, my sleepy head bouncing on Dad’s shoulder as he made the daybreak commute.
We spent the summer of 1976 in Elko, Nevada, and here’s where the cross-tabbing of memory comes in. I remember it was ’76 because Dad’s helpers were my new uncle Barry and my new stepbrother Ronnie (4). I remember because Dad and his new wife and Ronnie and I were jammed up in a Holiday Rambler, often unable to escape each other, and I remember that the fissures in the marriage were almost immediately exposed by such unceasing proximity. I remember because “Play That Funky Music” was ever-present on the radio, and because I told Ronnie that I liked “Silly Love Songs” better and he told me I was just a dumb kid.
I remember because, one day, another family in another trailer pulled in and set up camp, and their kid, a few years older than I was, punched me in the nose, bloodying it (and, perhaps, contributing to my fear of such confrontations). I remember because Dad and Uncle Barry responded to this assault in a way that can be described, only with considerable charity, as disproportionate. They carried baseball bats to the other family’s campsite, waggled the lumber with menace, and suggested those folks move along. Dad still tells this story from time to time, when he gets enough alcohol in him to open the dark rooms of his recall, and he always finishes with a laugh and a “man, you’ve never seen anybody drive away so fast.”
I remember because I have to live with two distinct reactions to that sight, separated by years of reconsideration: In the moment, as a bloodied little boy, being in awe of these men who stepped in on my behalf, as if they were superheroes. And now, much older than either man was that day, wondering what the hell was wrong with them. Forty-four years’ worth of calendar pages have been cast to the wind, and I can sit here today and close my eyes and see the terror on the faces of that man, his wife, and their boy. I am much more in tune with how scared they were than I am with how I felt as a six-year-old who watched the scene unfurl.
Summer of 2006
On Day 1 of my two-day move from California to Montana, I skirted along Elko on Interstate 80, and recall was stoked not just by the name but also by the bends in the highway and by the hills in the distance. I guided my pickup-UHaul combo off the interstate and, with neither GPS nor memory of the name of the campground we had stayed in thirty years earlier, I drove right to where it was. I knew the direction and the topography, I knew the hill it sat upon, and I knew the turns I had to make to get there.
Had it occurred to me that this was unusual, I might have made more of it, but I’d been doing similar things in other places throughout my adult life, and I’ve continued to do it since. Drop me most anywhere I’ve spent an appreciable amount of time, whether as a child or a man, and I can find my way to the places I occupied in some past era of my life. And once I’m there, the time gone by indeed has shape and color. It settles uneasily atop or alongside whatever is happening there now. I can stand in front of my first house, off Poison Spider Road in Mills, Wyoming, as I did this past summer, and I will see the boxy white house with the single-car garage, ever-present in my memories since I last lived there in 1978, and I will also see what it is now: a sort of cinnamon red, the garage long ago converted into more living space, the street out front paved rather than dirt and gravel. I can connect with what was and allow it to coexist with what is. I have to. There is no other choice.
Time is a slow-motion wrecking ball—it wipes out businesses that once existed on corners, housing developments, schools, the names by which we know things. Few human constructions can survive it. But none of that matters if it’s the corners to which you’re beholden and not what sat upon them while you were passing through.
Those corners call to me.
(1) I’m not sure why Joseph Cotten popped out of the ol’ cranium for that example. I’m not terribly familiar with the bulk of his work, although he looms large with me for two reasons: First, Shadow of a Doubt might be the best movie ever, and yes, I’m willing to fight you. Second, I always momentarily confuse him with Josef Sommer, which is thoroughly inexplicable.
(2) Seriously, retirement is a pipe dream. I’m going to have to die with my hands on the keyboard.
(3) I mean, I’m not Proust, but I do spend an inordinate amount of my energy ruminating on the illusions and erosions of time.
(4) While it’s true that I’m an ardent believer in the benefits of a necessary divorce, I really would like to urge those among us who cannot sustain the institution of marriage (in this case, I’m looking at you, Dad) to keep the rest of us out of it. At one point in my young life, I had three brothers and three sisters, thanks to the kudzu-like entanglements of several mergers. And then, with the stroke of a divorce judge’s pen, half of them were gone. I did not get a vote in the decision to add these sort-of siblings in the first place. Nonetheless, I accepted them as my own and loved them. I also didn’t get a vote in their departure. It sucks.
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Craig Lancaster is an author, an editor, a publication designer, a layabout, a largely frustrated Dallas Mavericks fan, an eater of breakfast, a dreamer of dreams, a husband, a brother, a son, an uncle. And most of all, a man who values a T-shirt.
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