Dispatches from the staying-in-touch department ...
Will the pig run again? I've written before about my occasional life in pipeline inspection — an association that inspired an entire novel — and had been looking forward to getting out there again in the spring, after the usual wintertime slowdown. Well, maybe, but also looking like probably not. The company for which I did work recently shuttered, and there's an industrywide slowdown, so I may be on the obsolescence end of progress (or regress). I can't say I'm particularly heartbroken. Pipelines are a destructive, invasive way of delivering extractive sources of energy, and for the future of the planet, it's high time we develop alternatives that are well within our grasp but beyond our political will. On the other hand, there's a practical consideration: We already have the damn things, and we're using them. The job I did was essential to the safety end of matters. Let's hope that continues until we can pull those things out of the ground and return the land to those from whom it was stolen. I will miss the travel to exotic (read: remote) locales and the chance to meet people in their natural habitat. But that can be enjoined in other ways, obviously. Union strong I recently did something I should have done a long, long time ago: I joined the Authors Guild. So here's where I cop to self-interest: I began to consider the possibility earlier this year when, quite apart from any involvement from me, my former agency descended into founder-vs.-founder contretemps and my meager royalties from long-ago books started showing up late or not at all. My former agent, also caught in the crossfire as her old shop melted down, was a champion and an ardent defender of my rights, it should be pointed out, and she got my situation squared away, for which I'm eternally grateful. But it occurred to me—again, when my self-interest was compromised, an entirely human condition that I'm trying to rise above—that in this whole solitary business, you have to grab a little solidarity where you can get it and stand strong with those who do what you do. I'm also reminded of something wise I once heard said by A.W. Gray, a well-regarded crime novelist but better known to me as the father of my boyhood best friend: "The people who need unions the most are those who don't have them."
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It's Sunday, September 19, and I'm on Interstate 25 in Casper, the nose of my car pointed north, toward home, a few hours away. I'm tired. My dog, Fretless, lies languidly in the passenger seat. He's had enough after a week away. So have I. Home, my wife, the cat—they all await. We have plenty of gas, had a bite to eat back in Douglas, fifty miles behind us. We have everything we need. The smart play is to get beyond this oil town and open up the cruise control a bit, see what this Toyota can do as we zip back into the emptiness of Wyoming and, eventually, get pulled into the embrace of Montana. So, of course, I exit the interstate, pick my way through downtown Casper, find CY Avenue—I once called it, in a novel, "the spine of the Casper grid system," which may or may not be true—and follow its familiar path to where I turn off for Mills, a little town north of Casper, and as I do, the well-trod memories come at me again. What I've come to see has been seen before, many times, and is likely to be seen many times yet, and if this particular side trip is taken as evidence that my life is in reruns, I will say only this in disputing that notion: Context is important, in all things and especially in this: I find it instructive, or at least perspective-granting, to be reminded of the life I might have had so I can better appreciate the one I'm swimming through. It's Friday, September 24, the day I'm writing this, and I'm reflecting on a spontaneous turn in a phone conversation with my mother this morning as we talked about other things. We talked, quite organically, about a decision she made for both of us in 1973, my third year. I was a capable kid, even at that age, blessed with an ability to carry on conversations with adults, but this matter was beyond my perception. She didn't want to live in Mills, Wyoming, anymore. That was surely half of it. The other half was that she didn't want me to live in Mills, Wyoming, anymore. She looked at the present, our life with my father there and what it seemingly held for us, and she projected out her future and mine and didn't like where those lives seemed likely to end up, and she did something about it. She took us out of there, into life with a man she'd met that year, the brother of her best friend, a man who lived in Euless, Texas. Not that it's anyone's business, but they hadn't had an affair. They'd had a connection, a chance meeting at a party that turned into a deep conversation that blossomed into a friendship and has become a nearly 48-year marriage. We talked about it this morning, Mom and I, this decision that with each passing year strikes me as more and more brave, more and more essential to both of us (and now to so many others—generations of others), more and more the line of demarcation, in strictly selfish terms for me, between where my life was pointed and where it ended up. I can see now, when I'm more than two decades older than she was then, how much gumption it required for her to do what she did. She was alone there, much of the time. She was 28 years old, and while Dad might not have represented maturity or loving or grace (I love the man, but let's be honest about the limitations), our prospects there were much more certain than they were anywhere else. There was a home well on its way to being paid off, an ascendant business, money in the bank. It would have been all too easy to stay. Many people have stayed for less. Mom saw the future and she left. I'll never receive a finer gift. So, you see, Mills, Wyoming, is actually a bit player in this what-might-have-been contemplation. It wasn't Mills we were escaping so much as who was there and what our life was there. It could have happened in Moline or Schenectady or Topeka. Could have, but didn't. This is, at its heart, a human story, a story of a boy with three parents who've imprinted him in wildly varying ways. I love my father, a love that shines through my struggles to understand him and his to understand me. It's a love strong enough to withstand my suspicion that my start in life would have been less than it was had I finished my growing-up years in his house. The math of that situation is inconceivable to me, given the way it all went. It would have been Mom and me in some kind of alignment agaInst the gravity of the way he is, the work that was always taking him away from us, and the instability of the home we were living in. I'm certain Mom's decision all those years ago hurt him. I'm also certain, if Dad can access clarity and honesty, that he'd say it needed to happen. For all of us. And what can a boy like me say about his mother that hasn't been said in better ways by better thinkers? She is pure love when it comes to her children and her children's children, but to leave it at that misses the fullness of who she is. At an age that seems to me, now, to be impossibly young, she was relentlessly wise. She had aspirations for herself (and has them still). To my ongoing gratitude, she could see a time coming when her son would have them, too. In so doing, she brought me into the sphere of the man who became my stepfather. Back then, he was a 31-year-old sportswriter at the Fort Worth Star-Telegram, a man who had his own broken first marriage, a son, and regrets. He also had a shared hope with Mom that they could make a go of it together. I can scarcely remember a time before his presence in my life, and he has never, not once, treated me as anything but his own. That has made all the difference. I go back to Mills to remind myself that it could all have gone another way. Could have, but didn't. So what do I make of Mills, all these years later?
I think it would be presumptuous of me to make anything of it beyond my sliver of experience there. It's steeped in nostalgia and memories and wonder. Its presence on the outskirts of my life has been a professional gift, surely (the old memory + imagination thing), as well as fodder for the occasional facile joke. (One could certainly quip about "welcome to Mills, please set your watch back 20 years" or wax irreverent about how hard the wind blows there.) The thing is, I've lived enough places and known enough people to realize something important: Most anyplace can be home, depending on who's doing the inhabiting and what they bring to it. I suspect—but don't know for certain—that my life would have harder and less interesting had I grown up in Mills. It's the not knowing, of course, that makes it such a delicious ponderable. So I go back, and I look around, and I try to imagine who that boy might have been, what kind of man he might have become, where he might have gone and what he might have seen. And because Mom imagined something else entirely, way back in 1973, I can be ever grateful for the real story that lies alongside the conjecture. My friend Caroline Patterson has a new novel coming out Sept. 15. It's titled The Stone Sister, and it promises to be an absorbing, fascinating read. It's getting some fantastic endorsements from the likes of Ann Patchett, Annick Smith, and Kim Zupan. Here's a book trailer: Looks fascinating, doesn't it? Well, go get it.
And while you're at it, be sure to check out Caroline's exquisite new website and learn more about her and her work. ![]() Several years ago, I would rope my Facebook friends into this weekly crowdsourced writing project called "The Word." The exercise was not my invention. I lifted it from Janet Fitch after I'd read something from her about it, and it quickly became something I did both on my own time and on those rare occasions when I would lead a writing workshop. It's such a simple concept, full of creative potential: You solicit a single word, then proceed like so: That word inspires a short story that you're to write in a nominal amount of time (say, an hour), and the resulting story must include the word. It's so much fun to give a single word to a large group of writers—say, for example, a group of inmates at the Oregon State Prison, where I led a workshop several years ago—and see the wide diversity of what comes back. So every week for the better part of a year, I'd say something like this on Facebook: "Give me a word. Any word will do. Give it to me." I'd accept suggestions for an hour or so, run a random number generator, choose the corresponding word, then sit down and write. Below is an example of a resulting story, taken from my collection The Art of Departure. If I remember correctly, the word that prompted this one was "squab." It ended up taking quite the backseat in the story it inspired. PonziIn September of that year, our neighbor Wayne had this idea that he could get rich by selling groceries Amway-style, and he booted his twelve-year-old boy out of his own bedroom and put up shelves loaded with packages of spaghetti, cans of roast beef, soda pop by the case and other non-perishable goods. Soon after, Wayne came over to our house and gave my folks the pitch, showed them how, if they just signed up a few friends and those friends signed up a few friends, and so on, they could make as much as $10 million a month, all by making a little bit on every transaction. “Everybody needs groceries,” Wayne said, mopping sweat off the folds of blubber on his neck. “It’s the perfect plan.” My pop liked Wayne, liked going out with him occasionally and tossing back some suds, and he paid the ten-dollar membership fee and accepted the tabbed folder that contained the list of goods and prices, as well as several pages of helpful hints for enrolling friends in the program. “We’ll see what we can do with it, Wayne,” Pop said, showing him to the door. “It’s an interesting idea you have here.” The old man had said something similar a few times before. We still had a shed full of cleaning chemicals that Wayne had foisted on Pop in an earlier scheme. The stuff was supposed to get rid of deep grime on contact, and sure enough, it performed as advertised. It also ate a hole in our carpet. Pop put the stuff in the storage shed because, I think, he didn’t quite know how to dispose of it, and he didn’t want to hurt Wayne’s feelings. A similar sensibility had driven him to sneak out of the house one night and open the door to the pigeon coop Wayne had insisted he build. The next morning, the flock had flown away, and Pop went across the street and told Wayne that they wouldn’t be making that killing on squab. “You’re a soft touch, Leonard,” Mom scolded him, and Pop mumbled something about how it didn’t hurt anything. Mom often said that the old man “enabled” Wayne’s irresponsible behavior; most of Mom’s vocabulary came from the self-help books she consumed with the fervor of the newly touched religious. That idea never seemed to resonate with Pop. Mom thumbed through the folder. “This isn’t going to work.” “Why not?” Pop asked. “Seems like a decent idea. Like Wayne said, everybody needs groceries.” “Yeah, but look at this.” Mom thrust the folder at him. “Now just look at that: Cheer laundry detergent for $2.49. I can get it for a dollar less down at Skaggs. And $1.50 for a two-liter bottle of Coke? I got it for 99 cents yesterday!” It went on like that for another half-hour or so. After the first few broadsides by Mom against Wayne’s plan, Pop looked for an escape. He tuned in to the Texas Rangers game on the radio, while Mom sat at the kitchen table and lingered over the list of products and prices. Their interplay was a series of exclamations in one room and knob adjustments in the other. “Two-ninety-nine for Sanka!” Pop turned up the volume on the radio. “A buck eighty-nine for Doritos!” Pop flipped over to Bill Mack on WBAP. “A dollar-ten for a can of tuna!” The old man turned off the radio and went outside. “Rangers lost,” I said. I held open a lawn bag so Pop could scoop a load of early fallen leaves into it.
“Figures,” he said. I shook the bag to settle the leaves and then tied off the top. Pop fished his smokes from his front pocket and lit up. “I guess Wayne’s idea has a few flaws,” I said. “Guess so.” The old man exhaled a string of smoke from the side of his mouth, upwind of me. “You know, he kicked Ethan out of his own bedroom so he could put food in there.” Pop didn’t say anything, but I could see his jaws clench. He was chewing on something that was giving him trouble. Whatever it was, I knew I’d never hear about it. “Men sometimes lose their way, Jon.” He crushed the cigarette into the brick of the house, behind the hedge where no one would see the mark. “Come on,” he said. “It’s getting late.” Not that we’re back in eighth grade or anything, but in the couple of days that this thing has been sitting on my head, wanting to come out through my fingertips even as I had no idea how I would start it or where I would end it or what I would put in the middle of it—and, Jesus, now I’m quoting Seger, what to leave in, what to leave out—I’ve been thinking about a decidedly eighth-grade question: Who’s your best friend? Seriously, who? Is it your spouse, the person you spend the most time with, the person who hears and tolerates and rides out all the stupid shit you say, the person who’s in bed with you, who knows every embarrassing thing, who shares all the same things with you, who knows where the hurts and the hopes and the hesitations are? That would be a good answer, your spouse. In most considerations, yes, that’s absolutely the answer for me. Or is it your work confidant? Your childhood friend who has somehow endured? The high school classmate you didn’t know then but are connected with now and cannot imagine not knowing and loving? Your college roomie? Is it your neighbor, the person in the pew every Sunday at church, the father of your kid’s best friend? Or, maybe, is it someone who has rippled through your life, like a pebble sending slow-moving water rings to the shore? You had something going for a while, then life and distance intervened, then you picked it up and it was just as good as before—no, no, it was better—and then you set it down again, and then it came back one more time and it stuck for good. It has survived decades and losses and different cities and different sensibilities and different marriages and different jobs, and it’s the same thing it always was and it’s also something new, something evolving, something surprising and cherished. Couldn’t the person with whom you share all that be your best friend? Shouldn’t the person with whom you share all that be your best friend? Jon Ehret was my best friend. Jon Ehret is gone. How am I supposed to do this without him? Before I get into the various specific times and qualities and shared experiences that made Jon my friend, I need to answer broadly the question of why it worked for us, why we latched onto this friendship in the last decade of the previous century and saw it through for thirty years. No offense intended, but I don’t need to answer that question for you. The world can go on spinning if you don’t understand it, and while the world certainly will go on spinning if I don’t answer for me, here’s the deal: In hindsight, I can see it, all of it, what we shared and why it mattered and why it stuck. And hindsight is all I have, now. The drive Elisa and I never made to see him and Laura in their new house in Santa Fe, that’s not happening. His invitation for me to head down and meet him in Utah, where he was picking up a rescue bird (there will be more on this), the one I turned aside with “damn, my work schedule” and “invite me on the next one”—there won’t be a next one, and thus there will be no invitation. The last time I was in Buffalo, N.Y., his hometown (there will certainly be more on this), and invited him to fly out and he turned me aside with “damn, I’ll be at a wedding in Texas.” Yeah, that’s not happening, either. It’s all hindsight and memories and smart-ass ripostes on Facebook and a text thread on my phone that I will never erase, in hopes that I can someday bear to look at it again. That’s all there is. So here’s why it happened and why it mattered and why it stuck, and if this is too abstract, you’ll just have to trust me: Jon and I were the same but different, and this is the second time in a week I’ve used those words to describe the way I’m hard-bonded to someone. And because those bonds were so difficult for each of us to find with other people—there’s nothing like the unexpected death of your best friend to serve as a reminder that you make friends broadly but struggle to hold on to them deeply—we held tight to the fact that we found them with each other. I think we always knew what it was, but we took a long time to acknowledge it with a nod and longer still to say it and put wind under the words. We did, though. For that, I’m grateful. I have that, too, and so does he, wherever he’s off to. So, look, I should hope it doesn’t happen to you, but maybe it already has, and the longer you live, the greater the likelihood that it someday will. Your phone rings one bright day, and it’s Laura, and you know it when you hear her voice, because although you’ve known her for as long as you’ve known him, and you love her as much as you love him, he’s still the conduit by which the whole thing goes, and if she’s calling, that must mean Jon cannot, and so here it comes. This all occurs to you in a whisper of a fraction of a second. It’s fucking insane how fast and final it all is. Jon died at work, at the bird rescue center in New Mexico where he had found purpose in semi-retirement. He was in his joy, and then he was gone before his coworkers found him. Fifty-five years old. Heart attack, it would seem. No warning, no chance at intervention and another outcome. Gone. I spent the better part of a decade flat-out ignoring a condition that I knew would kill me if I let it. Jon had a lovely day with his wife, then went off to his birds, and never came home. We’re the same but different. Laura tells you all this, and you remember another phone call, 1993, Owensboro, Kentucky, to Buffalo, New York, and you were the one piercing the bright day and saying our friend, Brian, he’s dead, and Jon says, “Why?” And you realize that’s one hell of a good question, then and now, because it’s the only question you have: Why? Nobody fucking knows why. And you bounce to another memory, Brian and Jon at the center of it, where you’re at work as a sports clerk at the Fort Worth Star-Telegram, couldn’t have been later than fall of 1991, and you’re making fun of your boss’ phone manner, because you’re 21 and a smartass, and you pick up a dead phone and say, “Staaaaar-TelegramsportsthisisEd,” because that’s how Ed says it, and all the editors on the desk are laughing, because you’re one funny sumbitch, and you don’t see Ed behind you and he says, “That’s pretty good. Good skill for your next job.” And here’s Brian: “I just got a warm feeling.” And here’s Jon: “That’s not a warm feeling. That’s Lancaster pissing himself.” And here you are, missing them. We met at the Star-Telegram. Jon was 24, and I was 20. He had a master’s degree from the University of Missouri in hand, and I was steadily on my way to bombing out of college for good. The same but different. He liked The Who and King Crimson. I liked Paul McCartney and R.E.M. I was making plans to move to Alaska (for the first time), and he thought that was the coolest thing in the world. I thought he was the smartest guy I knew, a brilliant layout man (we drew them in those days, kids) and someone worthy of emulation. We were big, lumbering guys, often more comfortable in our interior lives than we were on the outside. I covered up with a sort of zany bearing and kept a lot of my deeper thoughts to myself. Jon balanced anger and the most generous heart I've ever known. The same but different. Later, the connections went deeper. A weekend with the Ehrets after he and Laura moved to Buffalo, a day trip to Niagara Falls, an introduction to Newcastle Brown Ale, before it went all corporate. A snowy night, the last of the trip, when we ordered in and he urged me to get a cheeseburger sub and when I hesitated, he was all, “Man, it’s a cheeseburger on better bread. What’s the problem?” No problem at all. Delicious. And while we had surely eaten meals together before then, in my memories that’s the line of demarcation where shared food experiences became part of the deal: Jak’s in West Seattle, barbecue in Texas, seafood in Damariscotta, a legendary birthday meal at Walkers here in Billings on a minus-12-degree day, his urging me toward Ted’s Hot Dogs and Duff's in Buffalo, and my going to both, every time I'm there, even though we were never again there together, now much to my eternal regret. “Buffalo is a great fatboy town.” I say it. I live it. Jon said it first. In 1996, I decided, after some consideration, to seek out my birthmother. I told Jon what I was doing, because I knew Jon would have both an appreciation and a point of view, as an adoptee himself. He didn’t tell me not to, but he presented every you-oughtta-be-careful-here he could think of. He said he couldn’t imagine doing it. I did it anyway. Many years later, when he could imagine such a thing, I could give him some on-the-ground intel. I could validate the things he got right, contradict the ones he got wrong, and throw up flags around the ones neither of us thought of. He did it anyway. And, our being the same but different, we had more to talk about, in conversations that had the width and breadth and depth of galaxies. The kind we had so much difficulty having with other people and yet never had trouble getting into together. Another night of spotty sleep draws near, so let me just wrap it up this way:
I have four brothers in a family line that looks like a tangle of kudzu more than it does a tree. There’s the brother I inherited when my mother and my stepfather got together. We lost him four years ago. There’s another who was born to that union. And there are two half-brothers who came with the search for my birthmother, the one I pressed forward with despite Jon’s admonitions, just as he pressed forward later with his own quest and his own questions. Neither of us, I think, would turn aside the decision we made after it was done. The same but different. Then there’s the fifth brother, the one I chose, and the one who chose me. I know he’s my brother because he told me so, and because I told him so, and because he was the kind of guy who didn’t use words he didn’t intend, and he told me these a long time ago: If you ever need anything at all, you tell me, OK? I took him up on it, too, in ways that seemed picayune at the time and register even more inconsequentially now. I was lucky, I guess. I never needed anything substantial and life-changing. A kidney. A roof over my head. A slayer of the wolves at the door. You know, the biggies. A heart. He filled mine. He broke it, too, just the other day. I’ll patch it up. He lives there now. ... and into the rest of the story, or at least more of it. I've been on the masthead of Montana Quarterly for the better part of a decade now. But back in 2010, when I had one novel to my name and not much else in the way of published literary work, I was just a guy pitching an essay to Megan Regnerus, then the magazine's editor and now our beloved editor emeritus. I called it The Small Things, and it was written after my father, Ron, and my Uncle Bob Witte (RIP) ventured out to the Fairfield Bench, near Great Falls, and found the dairy farm that shaped Dad's young life in some pretty horrible ways. I won't say much else here; you can read the piece for yourself, and I hope you will, because it provides a good anchoring for some discoveries I recently made while digging through archives. Long story short: I've always wondered about some of the details my father told me that day on the bench, not because I thought him dishonest about the general gist of things, but because he was 71 years old (he's 82 now), and that's a lot of time for the finer points to get lost. But he hadn't lost them. Not really. Let's dig in ... From the piece: "I’d heard, or maybe I’d assumed, that my paternal grandfather, Fred, had walked out on the family when Dad was two or three years old. But here was Bob, telling me that it had been a proper divorce and that Dad’s mother had rejected the children." The archives say ... Pretty much dead-on, if Fred's account of it is to be believed. He sought the divorce. He also tried to get the children (Dad, his older brother Duaine, his older sister Dolores). From the piece: "When Fred showed up to get Dad a week later, Dick locked the little boy in the basement and met Fred at the road. He carried a shotgun, all the better to send Fred on his way. Three children could accomplish a hell of a lot more work than two, and Dick aimed to keep Dad close, be it with a gun or a fist or a horse whip." The archives say ... Nothing I found speaks directly to this episode. Still, I'm not about to contradict Dad; he remembers it, he's shaken by it all these years later, and trauma has a way of imprinting itself immutably. What I know for sure is that Fred and Della and the man who became her new husband, Richard Mader, had confrontations. Here's the evidence: I've saved the best one for last. The remembrance of my father that was shrouded in the most mystery was where he went and what he did when he finally ran away from Richard Mader's dairy farm for good. Dad's memory is that he went to work for a farming family near Three Forks. I had no reason to disbelieve him, of course, but Three Forks is a fair distance from Fairfield. I wondered how he got there and whether he might have actually ended up somewhere else, somewhere closer, and just lost the place to the intervening years. Nope. From the piece: "After a few weeks, he ended up on a farm in Three Forks, doing odd jobs and being attended to by a kind family that kept him shielded from Dick, who was still looking for him. After a year or two, Dad told the farmer that he would like to see his father again, and the man agreed to find Fred and take Dad to him. A few weeks later, word came: Fred was in Butte. "More than fifty years later, Dad’s voice broke and his eyes floated in tears as he revealed what happened next. They were the only emotions he betrayed in telling the story. “'The farmer told me, "I’ll drive you to Butte and once you’re there, I’ll put you in a cab and follow you to your father’s house. Once I see that he’s come out to get you, I’m gone." ' "In a singular act, that Three Forks farmer, whose name has been lost to the intervening years, did for Dad what no one else could be troubled to do: He acted in the best interest of the child." The archives say ... Well, just have a look from a newspaper's "persons sought" column: ![]() Getting at the details of my father's life has been a driving pursuit for many of my own days. Part of it is that I'm his only child, and if there's a story to be salvaged, it's up to me to mine it and tell it. And part of it is that I'm so heartbroken for the boy he once was, a clearly smart youngster who was denied so many of the blessings of his age, who was brutalized and stunted and who has persevered despite it all. I know how violence cycles from generation to generation, and I also know that the man I call Dad has refused to spin it on into me. It's the great achievement of his life, and he probably doesn't even know it. I want to drag the shit that happened to him into the light, the best disinfectant for what was visited upon him. He's not a hero. He is, in fact, a deeply flawed man (as is his son, as was his own father—there's more to that story, for another time). But he's my dad, and I love him. Addendum: There's an earlier piece, originally published by the San Jose Mercury News in 2004, that focuses more on finding out what became of Fred after Dad reunited with him in the mid-1950s. That was the last time father and son saw each other. Dad went into the Navy, and Fred went ... well, that's the interesting thing. You can read about that here. ![]() It was after Ned Beatty died—which came not long after Gavin McLeod died, which came on the heels of Charles Grodin's death—that my friend (and best man) Jim Thomsen said, via text, "We're losing the generation we looked up to." Indeed, we are, as early Gen Xers, and there's a reason for that: We've made a right turn at middle age and are headed not away from Albuquerque but toward our own burning out. If people twenty and thirty and forty years our elder are finding the exit of this mortal coil, it's only proof that time is immutable and undefeated. We will follow them into stardust, and that eventuality is already close enough to whisper to us. My reply to Jim that day: "Dying is the one thing we were born to do." I've been thinking of that a lot—not necessarily Jim's observation, nor mine, but the relentlessness of time. It's not sentimental. It's not personal. It's not tender or caring. It just is. Every fraction of a second of every second of every minute of every hour of every day of every week of every month of every year... I've also been thinking of it a lot since finding out that my Aunt Barbara died last week. If there's someone who has been in my life from cradle to now, my parents aside, it is her. An early friend of my mother and father. The sister of my eventual stepfather. The mother of cousins, once and twice and thrice removed. I've been driving for thirty-five years, and many of those years have seen me drive into or through Casper, Wyoming, the first home I ever had, just a few houses down from where Barbara and her family lived. And almost every time, I've made a stop to see Barbara, and before that Sammy, her late husband. It's a ritual that seems inseparable from what I know to be the way of my life: If I'm in Casper, I swing by and say hello. There will be no more of it, at least no more that terminates at her front door. Time is not sentimental, but I remain so. I might still turn right off Poison Spider Road. I might still cast a glance left at the first house I ever knew. I might still wonder what my long-ago friend Richard is doing these days. I might wave at Barbara's house as I go by. But go by I will, because there's no longer any reason to stop and say hello. It's hard to part with that. Hard for me, anyway.
After the second reading from And It Will Be a Beautiful Life last weekend at This House of Books, I was talking about the prominent roles of memory and reflection in writing, and I relayed the story of reconciliation with a former college roommate whom I wronged more than 30 years ago. The video above begins with the salient part.
The brief retelling in the video covers the major points. I ruined a good friendship with selfishness, and I left him holding the bag on what was supposed to be a shared obligation (rent). We never talked again after I bailed, and that sucks—the bailing and the not talking. It was not a proud moment for me, and occasionally, the memory of it has drifted through my head and shamed me anew. And I'll just say this: The occasional shame was a reasonable toll for the way I inflicted my immaturity on someone else. A few years ago, the woman who ran the student publications department at UT-Arlington, Dorothy Estes, died, and tributes poured in from all over, including one from my former friend. Long after I should have done so, I reached out: Seeing your lovely remembrance of Dorothy Estes brought forth a lot of memories, many good, some bad, and the bad ones all on me. I've thought about you from time to time these past 25-plus years. It may well be ancient history, but it's something I've left undone, so if you'll indulge me I'd like to close it up now: I'm sorry for the way I left you holding the bag on that apartment all those years ago, and for the way that effectively ended what had been a good friendship. It's been a source of shame and regret for me for many years, as well as a point of departure. In the aftermath of that, I started growing up, which was long overdue. I was telling my wife about those years this morning. The Shorthorn, and UTA, don't occupy the same place in my history as they do for so many who've come together to remember Dorothy. Those were difficult years for me—difficult in my own skin, in my studies, in owning up to the responsibilities of being a man in the world. I found my way later on, but I've certainly harbored regrets for the prior mistakes and idiocies. Again, I am sorry. I hope this finds you well. I loved your remembrance. It evoked in me something I remember often feeling when I read your stuff all those years ago: Damn. I wish I'd written that. What he wrote in response belongs to him, but I can assure you it was kind and considerate and reflective of the young man I knew him to be and the older man he'd obviously grown into. We closed the book on something between us, and I think we both felt good about that. One of the things I've learned about myself is that I crave closure, and that yearning can be good and bad. On one hand, the compulsion allows me to reconsider past encounters rather than just calcifying into positions that might not be healthy. On the other hand, sometimes situations are meant to be exited wordlessly and expediently, a true change of trajectory. Wise words from a former counselor of mine, as I walked through the rubble of a divorce: "In some things, closure is overrated." In this case, though, I think it's just what the moment required. For both of us. ![]()
Here, though, is where the story takes a turn …
I went home that night after the reading and reflected again on the original unkind act and on the subsequent, many-years-later reconciliation, and the next morning I sent my erstwhile friend a copy of the video above, pointing him toward the bit about our history. And then, for whatever reason, I ran a Google search on him. Roy R. Reynolds, my long-ago friend, died earlier this month. Fifty-three years old. Young. Far too young. I feel privileged to have known him, once. Regret for not mending the breach before we did. Gratitude that the mending happened at all, that I reached out, and especially that Roy met that outreach with grace. He didn't have to do that, but he was the kind of man who wouldn't have done anything else. Godspeed.
The fears and hesitations of the pandemic have been myriad—what if I get sick or die or can't work or, or, or…—and yet as I didn't get sick or die and kept right on working, the things I missed most, holed up in the house, were human and artistic. How I longed to go to a badass poetry reading. Or a play. Or a concert. Oh, how I took those things for granted before COVID-19, and oh how I never will again.
On June 19, about 10 days into the life of And It Will Be a Beautiful Life, we had a couple of events at This House of Books in Billings to mark its birth. What a day it was—the gift of fellowship, of seeing people I haven't seen in years*, of hugging necks and reading from this new work. I missed it so much. I think it's been at least two years since I've done it. And now, I can't wait to do it again. *--We moved back to Montana from Maine in April 2020. Right in the middle of the pandemic. There are people I love whom I haven't seen in these past 14 months, and some of them, at last, I saw at This House of Books. I tell you, I would have cried if I hadn't been so busy being grateful. Originally published March 25, 2021
The most attention-getting thing I’ve read in the past week is this piece by Anne Helen Petersen, titled “What Demoralization Does to Teachers.” It took hold of me not just because I’m friends with a lot of teachers (I am) or because I see the factors outlined in the article playing out among those friends (I do). What stopped me cold was the distinction between burnout and what’s really happening to teachers: They’re demoralized. From the piece: What educators are feeling right now — what they’ve felt over the last year — is not just frustration and fear inspired by the pandemic. It’s not just burnout. It’s way beyond that. It’s chronic burnout and deep demoralization as their labor is increasingly under-funded, under-valued, and under-resourced. Wait, there’s more. In an article cited by Petersen, which you can read here, Doris A. Santoro writes: One reason people are not attracted to teaching, and why some are leaving teaching, is that they do not see it as a place where they can enact their values. I daresay demoralization is a destructive force whatever your line of work. What makes it so alarming in the teaching realm, of course, is that education is the bedrock for everything that follows. If we’re torching teachers—not just working them hard but also causing that work to have no meaning to them—who pays on the back end? The answer is obvious. If you think we have a problem with chronic ignorance now (and, yeah, I think we do), what happens when we’re chasing teachers out of the profession and, consequently, are unable to attract the sort of folks who have historically flocked to it? I don’t have to look far to see the worrying signs. I have a dear friend who is leaving teaching at the end of this school year. She’s not ready for retirement; indeed, she’ll have to continue working to pay the bills, retain health insurance, put gas in the car, etc. But she’s done teaching, after a long, distinguished career of doing it, after a long time of feeling called to it. But she can no longer take the misplaced priorities, the undercutting, the under-funding, the many obstacles that are lined up to stand between her and what she knows will get results in the classroom. She’s done, and it’s her community’s loss. Our community’s loss. And I suppose that would mean so much more if our community even understood what’s happening to her and, by extension, to all of us. Several years ago, I taught a semester-long honors fiction-writing course at Montana State University Billings. It was harder than I ever imagined it would be, and I have a pretty vivid imagination for such things. But I threw myself into it, and indemnified as I was against the more tedious aspects of being an instructor there—I was a visiting writer, so I didn’t have committee assignments or faculty meetings or anything else of that nature—I tried my best to make connections with the self-starting students who’d chosen the course, to impart what I’ve learned but mostly to help them find ways into expressing their art. At the end of the semester, I gave a public lecture, and I chose public education as my topic, focused through the lens of my uneven relationship with it. As part of that, I asked my teacher friends to tell me what they wished their communities knew about their jobs. Some of those responses: How deeply I loved each and every student that came into my classroom. Even the ostensibly unlovable ones, I worked until I could love them, until I could see their unique and spectacular gifts. I want people to know the system is designed to use that love against you, pencil after pencil, lost planning period after lost planning period. I burned out so fast, and I wish there had been a system interested in retaining me. And ... I think people need to know how functionally illiterate most college students are … and how unsurprising it is, given how teachers at lower levels lack any sort of empowerment or incentive or respect. And ... All I want to do is teach in the way that I know is developmentally appropriate for kids. That is all my colleagues want, too. This was pre-pandemic, far enough back to be a memory and close enough to touch us. We’re in trouble, folks. We have been for a long time. The pandemic accelerated matters, but the trajectory has been disastrous for a while. Empathy for the demoralized is not hard to come by. I spent twenty-five years as a newspaper journalist, the very definition of “been there, done that.” At the end, amid quarterly staff purges, scaled-back coverage, “doing more with less” and other assorted bullshit, I walked away and into an uncertain future working life. I left not because my pay was low (it was, relative to other jobs I had the skill to do) or because it was hard work (it was ever thus). I left because the work that had been so important to me for so long didn’t seem to matter anymore, because I’d been implicitly told by the powers that be that I didn’t matter. I was a cost center, one that was aggressively being pared back. (And now, the vultures that have control of much of that line of work argue that people who do what I did for all those years aren’t journalists at all. It’s as if the business model is degradation.) And you know what? Maybe I didn’t matter at the end. If that’s so, I cut them before they could cut me. That’s a decidedly different outlook than the one I had when I entered the profession. Twenty-five years of steady erosion and declining standards beat me up pretty good. I have great affection and nothing but good wishes for those who keep answering the call at local newspapers. They are doing what I could not. Setting my own experience aside, I think it’s fair to say that when the folks develop a feeling Santoro widely ascribes to teachers—“Demoralization occurs when teachers cannot reap the moral rewards that they previously were able to access in their work”—it’s not something that can be soothed with a little time away, some breathing exercises, and some cinched-up self-care. At some point, the demoralized give up and leave, and nobody who cares the way they once did can be compelled to step in, and then what? I’ll say it again: We’re in trouble. |
About CraigCraig Lancaster is an author, an editor, a publication designer, a layabout, a largely frustrated Dallas Mavericks fan, an eater of breakfast, a dreamer of dreams, a husband, a brother, a son, an uncle. And most of all, a man who values a T-shirt. Archives
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